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PRESENTATION, Page 5

left: Georg Baselitz. Türkische Hose auf dem Treppchen, 2025, Oil and gold paint on canvas, 460 x 300 cm (181,1 x 118,11 in), Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul, © Georg Baselitz, Photo: Stefan Altenburger Right: Georg Baselitz, Die goldene Kittelschürze, 2025, Oil and gold paint on canvas, 300 x 215 cm (118,11 x 84,65 in, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul, © Georg Baselitz, Photo: Stefan Altenburger

PREVIEW: Georg Baselitz-Eroi d’Oro

Coinciding with the 61st edition of the Venice Biennale, Georg Baselitz’s exhibition “Eroi d’Oro” unfolds as both a culmination and a reinvention. …

Nina Beier, Plug, 2018, Courtesy the artist, Photo Stuart Whipps

PRESENTATION: The Social Life of Things

In an era increasingly defined by circulation—of images, commodities, and identities—the exhibition “The Social Life of Things” stages a precise and probing …

Narcisse Tordoir, Water, 2024. Courtesy of the artist. Photo: Ligia Popławska

PRESENTATION: Narcisse Tordoir-Fake Barok

In 2025 and beyond, contemporary art finds itself negotiating a paradox: an era defined by saturation—of images, information, and algorithmic production—has catalyzed …

Marcel Duchamp inside the exhibition "The Art of Assemblage" at the Museum of Modern Art, New York, 1961, with his artworks "Fountain" (1950, replica of lost 1917 original) and "Bicycle Wheel" (1951, replica of lost 1913 original), Artwork: © Association Marcel Duchamp/ADAGP, Paris/Artists Rights Society (ARS), New York 2026, Photo: Marvin Lazarus

PRESENTATION: Marcel Duchamp

Marcel Duchamp emerged from an artistic milieu that shaped his early trajectory. His grandfather worked as a printmaker and painter, while his …

Fritz Scholder, Monster Indian, 1968, © Fritz Scholder, photo: Axel Schneider

PRESENTATION: Fritz Scholder

Fritz Scholder is credited with having reconceptualized the portrayal of Native Americans in contemporary art away from traditional, romanticized stereotypes to a …

Mamma Andersson, Porte clé (detail), 2026, © Mamma Andersson/Artists Rights Society (ARS), New York/Bildupphovsrätt, Sweden, Photo by Nicolas Brasseur, Courtesy the artist and David Zwirner

PRESENTATION: Mama Anderson-Œuvres sur papier

The exhibition “Œuvres sur papier” foregrounds the distinctive artistic vision of Mamma Andersson, whose practice bridges historical reference and contemporary psychological inquiry. …

Philip Guston, Here We Are, There Gabriella Is, c. 1972-75, © The Estate of Philip Guston. Photo: Genevieve Hanson, Courtesy The Estate of Philip Guston and Hauser & Wirth Gallery

ART CITIES: N.York-Philip Guston

In contemporary art, the phrase “artist’s artist” carries a paradox: it signals the highest esteem from peers while often marking a career …

Left: Ran Hwang, The Red Wind, 2022, Plastic buttons, beads and pins on wood panel, 140 x 110 cm | 55.1 x 43.3 in., © Ran Hwang, Courtesy the artist and Leila Heller Gallery Right: Ran Hwang, Beyond the Serenity, 2024, Paper buttons, beads, pins, and crystals on Plexiglass, painting, 53.85 x 61.98 cm | 21.2 x 24.4 in., © Ran Hwang, Courtesy the artist and Leila Heller Gallery

PRESENTATION: Ran Hwang-Noble Blossoms

The multimedia practice of Ran Hwang operates within a compelling tension: between fragility and monumentality, repetition and transformation, material presence and spiritual …

Gabrielle Goliath, Courtesy the artist and Raffaella Cortese Gallery

PREVIEW:Gabrielle-Goliath Bearing

Gabrielle Goliath’s second solo exhibition, “Bearing”, unfolds as an ambitious, spatially expansive presentation that occupies all three spaces of the gallery. This …