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Kenjiro Okazaki, Et egredietur virga de radice Iesse, et flos de radice eius ascendet. And for all this, nature is never spent. Generations have trod, have trod, have trod. I got old. Landscape plotted and pieced — Off side of my thought? fold, fallow, and plough. For skies of couple-colour as a brinded cow. The world is charged with the grandeur of God. Whatever is fickle, freckled — And still — it blooms. who knows how? The light is calm. We were struck by the sudden appearance of yucca trees The blossoms are not. Ring-a-ring o’ roses, come again another day. Praise him. The blossoms that remain are falling blossoms. That day, sunset seeing a butterfly fall. Nothing is so beautiful as Spring — when weeds, in wheels, shoot long and lovely and lush. (2026) © Kenjiro Okazaki

ART CITIES:London-Kenjiro Okazaki

With a unifying emphasis on form, Kenjiro Okazaki explores themes related to time, space, and the human experience through a postmodernist lens. …

Daniel Richter, Augustinus erkennt die Natur der Sache, 2026, Oil on canvas, 100 x 140 cm, © Daniel Richter, Courtesy the artist and GRIMM Gallery

ART CITIES: Amsterdam-Daniel Richter

Daniel Richter’s practice has evolved over time to encompass notable stylistic turns. Richter’s paintings synthesize art history, mass media, politics, sex, and …

Left: Thomas Demand, Tannhäuser IX, 2026, © Thomas Demand, VG Bild-Kunst, Bonn/BILDRECHT GmbH, Vienna Right: Thomas Demand, Flick & Flock V, 2026, © Thomas Demand, VG Bild-Kunst, Bonn/BILDRECHT GmbH, Vienna

ART CITIES: Vienna-Thomas Demand

Thomas Demand trained as a sculptor before developing a practice that merges sculpture, photography, and conceptual art. His photographic works are typically …

Ishita Chakraborty, Black Gold II, 2026, Hand-painted porcelain (3 parts), variable dimensions, © Ishita Chakraborty, Courtesy the artist and Galerie Peter Kilchmann

ART CITIES: Paris-Ishita Chakraborty

Ishita Chakraborty’s multidisciplinary practice spans painting, drawing, installation, poetry, sound, and performance, unfolding as a complex web of voices, materials, and memories. …

David Weiss, Untitled, 1978, Wax pastel on paper, 11.5 × 17.5 cm

ART CITIES: Athens-David Weiss

David Weiss was a Swiss artist best known as one half of the influential duo Fischli/Weiss with Peter Fischli. Born in Zürich, …

Ioanna Kazaki, Microcosmos–Macrocosmos, 17 Flowers, Polyester, digital images, papier mache, collage, stainless mirror, iron, magnifying lenses, lights. Sound: Stadium Crowd Noise, Dimentions: 150x30x30cm or 165x45x45cm each/ Installation view AcroArt Projects-Thessaloniki, 2026, © & Courtesy the artist

ART CITIES: Thessaloniki-Ioanna Kazaki

Ioanna Kazakis expands abstract expressionism through a personal visual language, blending vibrant colors with structured geometric forms. Balancing constructivist logic with raw …

Tolia Astakhishvili, Tolia Curriculum, 2026 Courtesy of the artist Design: Syndicat

ART CITIES: Vienna-Tolia Astakhishvili

Following a series of critically acclaimed international presentations, Tolia Astakhishvili now realizes her first solo museum exhibition at mumok with “Tolia Curriculum”, …

Christo and Jeanne-Claude, Air Package on a Ceiling (Project for the Institute of Contemporary Art, University of Pennsylvania, Philadelphia) (detail), 1968, Wood, paint, polyethylene, Mylar, twine, screws, and electric light, 17 x 27 1/2 x 27 1/8 inches (43.2 x 69.9 x 68.9 cm), © Christo and Jeanne-Claude Foundation, Photo: Prudence Cuming Associates Ltd, Courtesy Christo and Jeanne-Claude Foundation and Gagosian

ART CITIES: London-Christo

Christo and Jeanne-Claude were known for creating monumental, temporary public artworks that transformed landscapes using everyday materials. Their ambitious projects required years …

Rosa Barba, Tracing Vocabularies, Exhibition view at Centro de Arte Moderna Gulbenkian. Courtesy the artist, Esther Schipper

ART CITIES: Lisbon-Rosa Barba

Rosa Barba presents “Tracing Vocabularies”, a major exhibition at the Centro de Arte Moderna Gulbenkian (CAM) in Lisbon that transforms the CAM …

Jennifer West, Stitched Cosmos, Installation view, Curated  by Francesco Urbano Ragazzi,_Photo: Gaia Cambiaggi, Courteys the artit and Ca’ Foscari University of Venice

ART CITIES: Venice-Jennifer West

At the threshold between art installation, archival excavation, and speculative cosmology, Jennifer West transforms the ground floor of Ca’ Foscari University of …

Zineb Sedira, When Words Fall Silent, Cinema Speaks...., Tate Britain Commission 2026, Photo © Tate (Lucy Green)

ART CITIES: London-Zineb Sedira

Zineb Sedira’s commission “When Words Fall Silent, Cinema Speaks…” at Tate Britain is not simply an installation—it is a fully inhabited cinematic …

Francesca Mollett, Inscape (after Cézanne), 2026, Oil on linen, triptych, 230.5 x 130.8 cm I 90 3/4 x 51 1/2 in (each) 230.5 x 400.1 cm I 90 3/4 x 157 1/2 in (overall), © Francesca Mollett, Courtesy the artist and Grimm Gallery

ART CITIES: N.York-Francesca Mollett

At a moment when contemporary painting continues to oscillate between figuration and pure abstraction, Francesca Mollett has emerged as one of the …

elly Akashi, Root Inversion (Mallow), 2026 Flame-worked borosilicate glass, weathering steel, 35.6 x 35.6 x 35.6 cm, © Kelly Akashi, Courtesy the artist and Lisson Gallery

ART CITIES: N.York-Kelly Akashi

In an age fixated on preservation—cloud backups, archival inks, climate-controlled vaults—Kelly Akashi proposes something more radical: that loss need not be resolved …

Vaughn Spann, America (Redacted No. 2), 2026, Polymer paint, mixed media, canvas on wood panel, 76.8 x 103.5 x 7 cm - 30 1/4 x 40 3/4 x 2 3/4 in (unframed), 83.8 x 109.6 x 9.5 cm - 33 x 43 1/4 x 3 3/4 in (framed), © Vaughn Spann, Courtesy the artist and Almine Rech Gallery

ART CITIES: N.York-Vaughn Spann

Inside the cavernous white rooms of Almine Rech’s Tribeca space, the American flag does not flutter with patriotic ease. In Vaughn Spann’s …

Katharina Fritsch, Auto und Wohnwagen / Car and Caravan 1979/2026, Vinyl ester resin, stainless steel, aluminum, lacquer, Car: 56⅜ × 193⅜ × 70 inches; 143 × 491 × 178 cm, Caravan: 84⅝ × 173¼ × 74⅞ inches; 215 × 440 × 190 cm, Overall: 84⅝ × 357 × 74⅞ inches; 215 × 907 × 190 cm, © Katharina Fritsch, Courtesy the artist and Matthew Marks Galler

ART CITIES: N.York-Katharina Fritsch

Nearly fifty years after first assembling a group of modest sculptural models on a classroom table at the Kunstakademie Düsseldorf, Katharina Fritsch …

Gerhard Richter, Buche (Beech Tree), 1987 (detail). © Gerhard Richter 2026, Courtesy the artist and David Zwirner Gallery

ART CITIES: N.York-Gerhard Richter

One of the most famous artists to emerge from post-war Germany, Gerhard Richter is known for his prolific, varied, and widely influential …

Dominic Chambers, Sighting: Forest Rorschach, 2026, Oil on linen, 60 x 60 x 1 1/2 inches, 152.4 x 152.4 x 3.8 cm, © Dominic Chambers, Courtesy the artist and Lehmann Maupin Gallery

ART CITIES: Seoul-Dominic Chambers

In his first solo presentation in Korea, “The Body Shimmer”, Dominic Chambers brings together painting and literature in a manner that feels …

Liesl Raff, Tip (Gather 1), 2026 ,Metal, latex, pigment, talcum, aluminum tape, 160 x 210 x 120 cm / 63 x 82 5/8 x 47 1/4 in, © Liesl Raff, Courtesy the artist and Galerie Eva Presenhuber

ART CITIES: Vienna-Liesl Raff

Liesl Raff’s sculptures explore the nuances of physical and social interactions through a profound appreciation of diverse materials and persistent experimentation. Her …

Tindara Spartà, La course des Lèvriers (01), 2026, Watercolour on filler on wood 80 x 122 x 6 cm, Photo: Andréa Spartà, © Tindara Spartà, Courtesy the artist and Bernier/Eliades Gallery

 ART CITIES: Athens-Tindara Spartà

Tindara Spartà belongs to a generation of artists who reconsider the domestic sphere as a site of tension, projection, and psychological ambiguity. …

nselm Kiefer, Die Oreaden, 2025, Emulsion, oil paint, acrylic paint, shellac, gold leaf, electrolysis sediments, and canvas-to-canvas adhesion, 280 × 760 cm (110.24 × 299.21 in), © Anselm Kiefer, Courtesy the artist and Thaddaeus Ropac Gallery

ART CITIES: Paris-Anselm Kiefer

The nymphs of classical mythology are elusive, belonging to the transient spaces where water meets land, where shadow clings to light. Now, …

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