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ART, Page 10

Fritz Scholder, Monster Indian, 1968, © Fritz Scholder, photo: Axel Schneider

PRESENTATION: Fritz Scholder

Fritz Scholder is credited with having reconceptualized the portrayal of Native Americans in contemporary art away from traditional, romanticized stereotypes to a “new realism” with candid, truthful, even startling, images of modern-day Native people.   He became famous for his ground-breaking resolve to “paint the Indian real, not red.” His myriad approaches …

Tindara Spartà, La course des Lèvriers (01), 2026, Watercolour on filler on wood 80 x 122 x 6 cm, Photo: Andréa Spartà, © Tindara Spartà, Courtesy the artist and Bernier/Eliades Gallery

 ART CITIES: Athens-Tindara Spartà

Tindara Spartà belongs to a generation of artists who reconsider the domestic sphere as a site of tension, projection, and psychological ambiguity. …

nselm Kiefer, Die Oreaden, 2025, Emulsion, oil paint, acrylic paint, shellac, gold leaf, electrolysis sediments, and canvas-to-canvas adhesion, 280 × 760 cm (110.24 × 299.21 in), © Anselm Kiefer, Courtesy the artist and Thaddaeus Ropac Gallery

ART CITIES: Paris-Anselm Kiefer

The nymphs of classical mythology are elusive, belonging to the transient spaces where water meets land, where shadow clings to light. Now, …

ART NEWS: April 01

  Anna Tuori’s solo exhibition “Crimson & Clover” title borrows from the 1968 song by Tommy James and the Shondells, carrying a …

Mamma Andersson, Porte clé (detail), 2026, © Mamma Andersson/Artists Rights Society (ARS), New York/Bildupphovsrätt, Sweden, Photo by Nicolas Brasseur, Courtesy the artist and David Zwirner

PRESENTATION: Mama Anderson-Œuvres sur papier

The exhibition “Œuvres sur papier” foregrounds the distinctive artistic vision of Mamma Andersson, whose practice bridges historical reference and contemporary psychological inquiry. …

Philip Guston, Here We Are, There Gabriella Is, c. 1972-75, © The Estate of Philip Guston. Photo: Genevieve Hanson, Courtesy The Estate of Philip Guston and Hauser & Wirth Gallery

ART CITIES: N.York-Philip Guston

In contemporary art, the phrase “artist’s artist” carries a paradox: it signals the highest esteem from peers while often marking a career …

Left: Ran Hwang, The Red Wind, 2022, Plastic buttons, beads and pins on wood panel, 140 x 110 cm | 55.1 x 43.3 in., © Ran Hwang, Courtesy the artist and Leila Heller Gallery Right: Ran Hwang, Beyond the Serenity, 2024, Paper buttons, beads, pins, and crystals on Plexiglass, painting, 53.85 x 61.98 cm | 21.2 x 24.4 in., © Ran Hwang, Courtesy the artist and Leila Heller Gallery

PRESENTATION: Ran Hwang-Noble Blossoms

The multimedia practice of Ran Hwang operates within a compelling tension: between fragility and monumentality, repetition and transformation, material presence and spiritual …

Vana Xenou at work

ART FAIRS: ART THESSALONIKI 2026

The 9th edition of the Art Thessaloniki Fair is poised to reaffirm its position as the leading cultural event in Southeastern Europe, …

Gabrielle Goliath, Courtesy the artist and Raffaella Cortese Gallery

PREVIEW:Gabrielle-Goliath Bearing

Gabrielle Goliath’s second solo exhibition, “Bearing”, unfolds as an ambitious, spatially expansive presentation that occupies all three spaces of the gallery. This …

Anna Bjerger, Madrid, 2026, Oil on aluminium, 63 cm x 73 cm x 4 cm, © Anna Bjerger, Courtesy the artist and Galleri Bo Bjerggaard

PRESENTATION: Anna Bjerger-The Dusk

Anna Bjerger’s paintings draw on images from her everyday surroundings. Small details, fleeting situations and quiet observations become the starting point for …

Rachel Whiteread, Installation view of multiple works from Rachel Whiteread’s 'Untitled (Canister)' series (2024–), © Rachel Whiteread, Photo: Prudence Cuming Associates Ltd, Courtesy Gagosian

ART CITIES: London-Rachel Whiteread

Rachel Whiteread’s practice occupies a distinctive position within contemporary sculpture, where absence becomes as materially potent as presence. In her works, the …