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OPEN CALL: Zilberman Unfold’26

Zilberman invites artists based in Berlin and artists based in Turkey to apply for Zilberman Unfold ‘26, to the open call that …

Dominic Chambers, Sighting: Forest Rorschach, 2026, Oil on linen, 60 x 60 x 1 1/2 inches, 152.4 x 152.4 x 3.8 cm, © Dominic Chambers, Courtesy the artist and Lehmann Maupin Gallery

ART CITIES: Seoul-Dominic Chambers

In his first solo presentation in Korea, “The Body Shimmer”, Dominic Chambers brings together painting and literature in a manner that feels …

Nina Beier, Plug, 2018, Courtesy the artist, Photo Stuart Whipps

PRESENTATION: The Social Life of Things

In an era increasingly defined by circulation—of images, commodities, and identities—the exhibition “The Social Life of Things” stages a precise and probing …

ARCHITECTURE: Aldo Rossi

Aldo Rossi (3/5/1931-4/9/1997)has achieved distinction as a theorist, author, artist, teacher and architect, in his native Italy as well as internationally. He …

OPEN CALL:Yves Klein Research Grant

The Yves Klein Foundation works to promote and foster the public understanding of Yves Klein’s work through exhibitions, research projects, publications, the …

Deborah Turbeville, Untitled (Carol Cawthra Hopcraft), near Nairobi, Kenya, 1993 Courtesy of MUUS Collection. © Deborah Turbeville/MUUS Collection

PHOTO: Deborah Turbeville-Photocollage

The American photographer Deborah Turbeville (1932–2013) challenged and reshaped both fashion photography and the ways of working with the photographic image in …

Thomas Hirschhorn, The Green Coffin, 2006, wood, spray paint, polystyrene, hands made of synthetic resin and ceramic, watches, tape, prints, cardboard, fabric, chess, chessboards, crustaceans made of plastic, sculptures, photocopies, handbags, 359 x 112.9 x 436 cm, © Thomas Hirschhorn, Courtesy the artist and Alfonso Artiaco  Gallery

MIRAGES LXXXI

This is a difficult Spring. And this is because, although May—associated with the 61st Venice Biennale—should have been a radiant month filled …

Narcisse Tordoir, Water, 2024. Courtesy of the artist. Photo: Ligia Popławska

PRESENTATION: Narcisse Tordoir-Fake Barok

In 2025 and beyond, contemporary art finds itself negotiating a paradox: an era defined by saturation—of images, information, and algorithmic production—has catalyzed …

Liesl Raff, Tip (Gather 1), 2026 ,Metal, latex, pigment, talcum, aluminum tape, 160 x 210 x 120 cm / 63 x 82 5/8 x 47 1/4 in, © Liesl Raff, Courtesy the artist and Galerie Eva Presenhuber

ART CITIES: Vienna-Liesl Raff

Liesl Raff’s sculptures explore the nuances of physical and social interactions through a profound appreciation of diverse materials and persistent experimentation. Her …

Kimsooja

Kimsooja (29/4/1957- )

Today is the occasion to bear in mind the Korean artis  Kimsooja (29/4/1957- ). Adressing issues of the displaced self and others, …

William Kentridge

William Kentridge (28/4/1955- )

Today is the occasion to bear in mind William Kentridge (28/4/1955- ). He rose to prominence in the ‘90s with expressive drawings, …

Marcel Duchamp inside the exhibition "The Art of Assemblage" at the Museum of Modern Art, New York, 1961, with his artworks "Fountain" (1950, replica of lost 1917 original) and "Bicycle Wheel" (1951, replica of lost 1913 original), Artwork: © Association Marcel Duchamp/ADAGP, Paris/Artists Rights Society (ARS), New York 2026, Photo: Marvin Lazarus

PRESENTATION: Marcel Duchamp

Marcel Duchamp emerged from an artistic milieu that shaped his early trajectory. His grandfather worked as a printmaker and painter, while his …

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