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TRIBUTE, Page 2

Silvestre Pestana, Terras Raras, 2022

TRIBUTE: Lucid Reverie

The result of an 18-month research process, the group exhibition “Lucid Reverie” maps out some of the most significant contemporary artistic practices in Portugal and acts as a platform to enhance their visibility on the international stage. Spanning sculpture and painting, as well as photography, moving image and text-based work, …

Inês Zenha, Swans only sing closely, 2024, David Bonet_MED

TRIBUTE: Terraphilia

In what ways can love reshape how we live with the Earth? The group exhibition “Terraphilia” invites us to reimagine our place …

Ed Atkins, Nurses Come and Go, But None For Me (Still), 2024. Video and sound. © and Steven Zultanski. Commissioned and produced by Hartwig Art Foundation

TRIBUTE: Ed Atkins, Part II

One of the most influential British artists working today, Ed Atkins is best known for his computer-generated videos and animations. Repurposing contemporary …

Ed Atkins, Untitled, 2018. © Ed Atkins Courtesy of the Artist, Cabinet Gallery, London, dépendance, Brussels, Galerie Isabella Bortolozzi, Berlin, and Gladstone Gallery

TRIBUTE: Ed Atkins

One of the most influential British artists working today, Ed Atkins is best known for his computer-generated videos and animations. Repurposing contemporary …

Hans Haacke, Grass Grows, 1969, earth, grass seeds, 150 × 300 cm (diameter), exhibition view: Hans Haacke: All Connected, 2019, New Museum © Hans Haacke / VG Bild-Kunst, Bonn 2024, Photo: Dario Lasagni

TRIBUTE: Hans Haacke

Hans Haacke has shaped “polit­ical art” to a greater extent than any other artist of his gener­a­tion. Keen crit­i­cism of insti­tu­tions, polit­ical …

Ellsworth Kelly, Painting in Three Panels, 1956, oil on canvas, three panels, 80 x 139 inches (203 x 353 cm) overall display, © Ellsworth Kelly Foundation, Photo courtesy Matthew Marks Gallery

TRIBUTE: Ellsworth Kelly at 100

For more than seventy years, Ellsworth Kelly drew inspiration from nature and the world around him to create works that would come …

Vlassis Caniaris, Sliced Cucumber, 1974, Vlassis Caniaris Estate & Galerie Peter Kilchmann, Zürich/Paris, photo: Axel Schneider

TRIBUTE: There Is No There There

In the 1960s, ’70s, and ’80s, numerous artists from abroad were working in both the German Democratic Republic and the Federal Republic …