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Joseph Cornell

TRACES: Joseph Cornell

Today is the occasion to bear in mind, one of the pioneers and most celebrated exponents of assemblage, Joseph Cornel (24/12/1903-29/12/1972). He …

On Kawara

TRACES: On Kawara

Today is the occasion to bear in mind one of the most enigmatic artists, On Kawara (24/12/19/1932-10/7/2014). His process-based art practice, which …

Mohammed Kazem, Directions (Merging),2022, © Mohammed Kazem, Courtesy the artist and Seoul Museum of Art (SeMA)

PRESENTATION: Proximities

The group exhibition “Proximities” features more than forty UAE-based artists, including 33 Emiratis, across three generations—a Gulf nation shaped by the convergences …

TRACES: Jean-Michel Basquiat

Today is the occasion to bear in mind the American artist Jean-Michel Basquiat (22/12/1960-12/8/1988). Basquiat’s work is an example of how the …

Sayre Gomez, JRP|Editions JRP|Editions

BOOK: Sayre Gomez, JRP|Editions

Sayre Gomez’s painterly strategies, described in the book and corroborated by external exhibition texts, are noteworthy for their hybridization of techniques. Drawing …

Tom Wesselmann, Study for Mouth #10, 1966, Liquitex on gesso panel, two sections, 7 x 6 5/8 inches (17.8 x 16.8 cm), © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York, Photo: Maris Hutchinson, Courtesy Gagosian

PRESENTATION: The Omnipotence of Dreams

The exhibition “The Omnipotence of Dreams”, boldly pairs fine art with artist-designed jewelry. This curatorial experiment highlights the disciplinary crossover between adornment …

ART NEWS: Dec 02

  “No Limits” marks Ranbir Sidhu’s first museum exhibition. Drawing on his intimate knowledge of metal manufacturing, his sculptures and installations are intricately …

Ed Ruscha

TRACES: Ed Ruscha

Today is the occasion to bear in mind Ed Ruscha (16/12/1937- ), who is widely regarded as one of the world’s most …

Ellen Gallagher

TRACES: Ellen Gallagher

Today is the occasion to bear in mind Ellen Gallagher (16/12/1965- ), who builds multi-layered paintings that pivot between the natural world, …

Left: Joseph Cornell, A Dressing Room for Gille, 1939, Glazed wooden box, wood panel cover, paint, mirror, cork, printed paper collage, cotton thread, textiles, ribbon tape, 15 x 8 5/8 x 6 3/4 inches (38.1 x 21.9 x 17 cm), Richard L. Feigen Collection, © 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York, Photo: Owen Conway, Courtesy Gagosian Right: Joseph Cornell, Pharmacy, 1943, Glass-paned wood cabinet, marbled paper, mirror, glass shelves, and twenty glass bottles containing various paper cuttings (crêpe, tissue, printed engravings, and maps), colored sand, pigment, colored aluminum foil, feathers, paper butterfly wing, dried leaf, glass marble, fibers, driftwood, wood marbles, glass rods, beads, seashells, crystals, stone, wood shavings, sawdust, sulfate, copper, wire, fruit pits, paint, water, and cork, 15 1/4 x 12 x 3 1/8 inches (38.7 x 30.5 x 7.9 cm), © 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York, Photo: Dominique Uldry, Courtesy Gagosian

ART CITIES: Paris-Joseph Cornell

From a New York basement, Joseph Cornell transformed everyday finds into some of the 20th century’s most poetic artworks. Rarely travelling, he …

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