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Alex Hubbard, Interior I (Video Still), 2017, Video with sound, Edition of 5, 4:36 min, Galerie Eva Presenhuber Archive

ART CITIES:Zurich-Alex Hubbard

Alex Hubbard’s work is investigates the boundaries between video art and painting, exploring each via a cross-examination that invigorates both media in …

Bill Viola, Ascension, 2000, Color video projection, stereo sound, Performer: Josh Coxx, Photo: Kira Perov, Courtesy of Bill Viola Studio

ART CITIES:Montreal-Bill Viola

Bill Viola, in one of the pioneering figures of a generation of artists in the ‘70s employing video art and sound technologies. …

Thomas Hirschhorn, Pixel-Collage n°97, Prints, plastic sheet, tape, 28x44cm, Courtesy of the artist and Gladstone Gallery-New York, Photo: Romain Lopez

ART CITIES:N.York-Thomas Hirschhorn

Thomas Hirschhorn is an artist known for his sprawling works that transform traditional white cube spaces into absorbing environments tackling issues of …

ART NEWS:Oct.04

“Swimming in Rivers of Glue” is the title of Julieta Aranda’s first solo exhibition in Paris. The series of works that conform …

Lu Nan, A Franciscan Friar On the Road Of Proselytization, Shaanxi, 1995, From the series On the Road: Catholic Church in China, © Lu Nan, Museu Coleção Berardo Archive

PHOTO:Lu Nan-The man and his work

Lu Nan’s legend comes from his unique characteristic and his mysterious creative experience. Lu is the first Chinese photographer who’s recognized by …

Carolee Schneemann, Up to and Including Her Limits, 1973-76. Crayon on paper, rope, harness, 16mm film projector, video (color, sound; 29 min.), and six monitors, Dimensions variable, The Museum of Modern Art, New York, Committee on Drawings Funds and Committee on Media and Performance Art Funds, 2012, © 2015 Courtesy of Carolee Schneemann and PPOW Gallery-NY, Digital image © 2015 The Museum of Modern Art-New York. Photo: Jonathan Muzikar

ART CITIES:N.York-Carolee Schneemann

Carolee Schneemann’s first major work, “Eye Body: 36 Transformative Actions” (1963), posed a question that the artist would continue to explore throughout …

Kim Sooja, A Needle Woman-Kitakyushu (Video Stills Print Production), 1999, Inkjet Print on Hahnemüle paper, 51,94 × 76,20 cm (95 x 71 cm framed), Courtesy the artist and Galleria Raffaella Cortese, Milano, Artwork exhibited by : Raffaella Cortese

ART FAIRS:FIAC 2017,Part II

One of the oldest and respectable Art Fairs, FIAC, opens for its 44th Edition at the Grand Palais in Paris. A major …

ART NEWS:Oct.03

Since the mid-20th century, many artists have committed to distinguishing their work from traditional ink art by devising enlightening and imaginative approaches …

Left: Christian Boltanski, Monument: La Fête de Pourim, 1992, Courtesy the artist Galerie Marian Goodman 120 x 60 cm (overall) Box: 9.5 x 23.5 x 21.8 cm (each) Frame: 60 x 46 cm) 17006) Christian Boltanski Monument: La Fête de Pourim, 1992 Tin boxes, black and white photograph under Plexiglas, a lamp, electric wire 120 x 60 cm (overall) Box: 9.5 x 23.5 x 21.8 cm (each) Frame 60 x 46 cm, Tin boxes, black and white photograph under Plexiglas, a lamp, electric wire, Artwork exhibited by : Marian Goodman. Right: Vlassis Caniaris Child, 1980, Courtesy the estate of the artist and Galerie Peter Kilchmann-Zurich

ART FAIRS:FIAC 2017, Part I

One of the oldest and respectable Art Fairs, FIAC, opens for its 44th Edition at the Grand Palais in Paris. A major …