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Tiril Hasselknippe, Queens of the Tear Duct, 2017, Beton, Polyesterharz, Courtesy: DREI-Cologne

ART FAIRS:Art Cologne 2018

The origins of today’s ART COLOGNE go back to Kunstmarkt Köln ’67 which was launched on 15/9/67 in the Gürzenich a historic …

Haegue Yang, Mountains of Encounter, 2008, Aluminum venetian blinds, powder-coated aluminum hanging structure, steel wire rope, moving spotlights, floodlights, platform ladder, cable Dimensions variable, Joint acquisition by the Gesellschaft für Moderne Kunst and the Museum Ludwig on the occasion of the 2018 Wolfgang Hahn Prize, Installation view, Wessen Geschichte (Whose (His)Story), Kunstverein in Hamburg, 2008, © Haegue Yang, Photo: Fred Dott-Hamburg

ART CITIES:Cologne-Haegue Yang

Traversing a wide range of media, from collage to performance, Haegue Yang’s body of work often features quotidian and domestic found objects …

Roe Ethridge, Slime Turkey, 2018, © Roe Ethridge, Courtesy the artist and Gladstone Gallery-New York/Brussels

ART CITIES:Brussels-Roe Ethridge

Roe Ethridge is known for exploring the plastic nature of photography, how pictures can be easily replicated and recombined to create new …

Exhibition View of Torbjørn Rødland-The Touch That Made You, Fondazione Prada

ART CITIES:Milan-Torbjørn Rødland

Torbjørn Rødland constructs portraits, still-lifes and landscapes, which simultaneously inhabit and defamiliarise the realm of the everyday. Embedded with multiple symbols and …

ART CITIES:Paris-Matthew Porter

Matthew Porter is part of a large group of contemporary artists pushing the boundaries of traditional photographic techniques and blurring the lines …

John Gerrard, Solar Reserve (Tonopah, Nevada), 2014, Simulation, Dimensions variable , Courtesy of the artist, Thomas Dane Gallery-London and Simon Preston Gallery-New York

BIENNALS:EVA International 2018

EVA International is Ireland’s Biennial of Contemporary Art. Every two years EVA International works with guest curators to create a 12-week program …

Left: Carl Einstein, "Ethnologie de l’homme blanc", disposition in the omnibus volume "Manual of History of Art", 1930s, manuscript Akademie der Künste-Berlin, Carl-Einstein-Archiv, No. 222, page 10, Courtesy Haus der Kulturen der Welt. Right: Carl Einstein, theses for "Art Reference Book“, 1930s, flag with sticked fragments on it, Akademie der Künste, Berlin, Carl-Einstein-Archiv, No. 244_007, © Akademie der Künste-Berlin, Courtesy Haus der Kulturen der Welt

ART CITIES:Berlin-Neolithic Childhood

The stock market crash and mass unemployment, political polarization, the industrialization of perception, the violence of colonialism: “c. 1930” was a time …

Installation view of Carmen Winant’s “My Birth”, 2018, installed as part of Being: New Photography 2018 at The Museum of Modern Art-New York, 18/3-19/8/18, © 2018 The Museum of Modern Art, Photo: Martin Seck

PHOTO:Being New Photography 2018

Since its inception in 1985, “New Photography” series of exhibitions at MoMA has introduced more than 100 artists from around the globe, …

Karrabing Film Collective, Mermaids: Mirror Worlds (production still), 2017, Courtesy Van Abbemuseum

ART-PRESENTATION: Trade Markings

Frontier Imaginaries is a new multi-platform project that explores the condition of the frontier with the era of globalization. The exhibition “Trade …

ART NEWS:April 01

Darren Almond in his solo exhibition “The Swerve / The Light of Time” presents two new series of unpublished paintings. The works …