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Rozbeh Asmani, Colourmarks Billboards, 2022, © Rozbeh Asmani, 2022, Rendering: Giacomo Orth

TRIBUTE: Color As Program

The exhibition “Color as Program” deals with color as an artistic medium and its programmatic, political dimension on the basis of art …

Eva Koťátková , What Does A Turtle Feel Through the Carapace: Interspecies Traveling Classroom, 2022, Co-commissioned by the Museum of Contemporary Art Kiasma / The Finnish National Gallery and Bildmuseet, Umeå University, Photo: Finnish National Gallery / Petri Virtanen

TRIBUTE: ARS22-Living Encounters

From its inauguration in 1961, the ARS exhibition series has showcased spearheading international contemporary art for local, regional and global audiences every …

ART NEWS:April 01

For his solo  exhibition “Ada”, Alex Katz has peered into his past to revisit works from throughout his oeuvre. These new paintings …

Rosemarie Castoro, Mountain Range, 2003. Welded stainless steel, 9 parts. 350 x 650 cm, © Rosemarie Castoro, Courtesy Rosemarie Castoro Estate and Thaddaeus Ropac Gallery

ART CITIES: London-Rosemarie Castoro

Finding early inspiration in experimental dance and choreography while a student at the Pratt Institute, Brooklyn, and in subsequent collaborations with Minimal …

Vera Lutter, Temple of Nettuno, Paestum: October 24, 2015, unique, silver gelatin print, 14 x 25 1/4 inches (36 x 64 cm), © Vera Lutter, Courtesy the artist and Gagosian

PHOTO: Vera Lutter

Vera Lutter uses one of the oldest optical technologies still in use, that of the camera obscura. Before the invention of photography, …

Robert Irwin, Greek Speak, 2021, Shadow + Reflection + Color, 6' × 12' 5-1/4" × 4-1/4" (182.9 cm × 379.1 cm × 10.8 cm), © Robert Irwin, Courtesy the artist and Pace Gallery

ART CITIES: N.York-Robert Irwin

For more than three decades, Robert Irwin has used fluorescent lights in his work, and in the last decade he has presented …

Steven Parrino, The Self-Mutilation Bootleg 2 (The Open Grave), 1988/2003, enamel on canvas, in 2 parts, overall: 88 × 108 × 72 inches (223.5 × 274.3 × 182.9 cm), © Steven Parrino, Courtesy the Parrino Family Estate. Photo: Zarko Vijatovic

ART CITIES: Paris-Steven Parrino

Steven Parrino is best known for his signature ‘misshaped’ monochromes with slashed, torn, or twisted canvases. A pioneer in performance and video …

Elmgreen & Dragset, Watching, 2017. Collection of Lora Reynolds and Quincy Lee, Austin. Courtesy of Perrotin. Photo: Brian Fitzsimmons and Andreas Koch

ART CITIES: Milan-Elmgreen & Dragset

Based in London and Berlin, Michael Elmgreen and Ingar Dragset have worked as a collaborative duo since the mid-1990s. Drawing from disciplines …

ART NEWS:March 05

Youssef Nabil in his solo exhibition “Memory of a Happy Place”  presents a series of twenty photographs, as well as a new …

Monica Bonvicini, Come On Home / blue, 2021, Murano glass, mirror, ash wood, 12,6 x 55 x 50 cm, © Monica Bonvicini, Courtesy the artist and Galleria Raffaella Cortese, Photo: Anna Lott Donadel

ART CITIES: Milan-Monica Bonvicini

Monica Bonvicini emerged as visual artist and started exhibiting internationally in the mid-1990s. Her multifaceted practice—which investigates the relationship between architecture, power …