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Richard Artschwager, Exclamation Point (Yellow), 2001, Plastic bristles on a poplar core painted with latex, 65 x 22 x 22 in, 165.1 x 55.9 x 55.9 cm, Edition of 3, © 2022 The Estate of Richard Artschwager / Artists Rights Society (ARS), New York, Photo: Rob McKeever, Courtesy Gagosian

PREVIEW: Richard Artschwager

One of the most important artists to emerge during the twentieth century, Artschwager’s playful and diverse oeuvre has influenced generations of younger …

Cauleen Smith, Sky Learn Sky, 2018/2022, site-specific installation comprises of differently colored overlapping gels and installation instructions, dimensions variable. Installation view, at dawn, JSC Berlin. Photo: Alwin Lay

ART CITIES: Berlin-At Dawn

The group exhibition “At Dawn” draws connections between techniques of image production and the social and political work that goes into imagining …

Photo Left: Andreas Slominski, xLSy10z, 2009, Photo: Sylvan Dahlgrün, © Andreas Slominski. Right: Andreas Slominski, xMHy345z, 2011, Photo: Stefan Rohner, © Andreas Slominski

PRESENTATION: Andreas Slominski

Andreas Slominski’s works represent some of the most extraordinary contributions to German contemporary art. During the early 1990s, he mainly created sculptures …

Katharina Grosse, Splinter, 2022, Acrylic on plywood, wall and floor, 1750 x 1000 x 2200 cm, © Adagp, Paris, 2022, © Fondation Louis Vuitton / Marc Domage

TRIBUTE: Fugues in Color

Presented on the top floor of the Fondation Luis Vuitton the exhibition, “Fugues in Color” presents works through which paint is free …

Tony Cragg, In Frequencies, 2019, Holz, © Tony Cragg / Bildrecht, Wien 2022

ART CITIES: Vienna-Tony Cragg

Tony Cragg is one of the world’s most foremost sculptors. His work is notable for its exploration of different materials, including found …

Howardena Pindell, Free, White and 21 (Video still), 1980. Video, duration 12 minutes and 15 seconds, © the artist; VERBUND COLLECTION, Vienna; courtesy Garth Greenan Gallery-New York

PHOTO: A Feminist Avant–Garde

In the 1970s, the female artists emancipated themselves from the role of muse and model. The stereotypical role assignments of mother, housewife …

Lee Ufan, Relatum – The Arch of Versailles, 2014, Stone and stainless steel, Collection of the artist, © Lee Ufan, Photo: Archives kamel mennour, Courtesy the artist, kamel mennour, Paris, Pace, New York

PRESENTATION: Lee Ufan, Part II

In the late 1960s and the 1970s Lee Ufan was involved in the Japanese artistic movement Mono-ha and became its spokesman. Using …

Exhibition view: Dan Flavin, Epiphanies, Collection Lambert, Avignon, 2022, © ADAGP, Paris 2022 / photo / David Giancatarina

PRESENTATION: Dan Flavin-Epiphanies

Dan Flavin’s work is clean, industrially produced, and serially repeating. These qualities were developed in opposition to the gestural expressionist painting dominant …