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OPEN CALL:2017 Call for Projects-Curatorial Research Grants

The Fonds national d’art contemporain is France’s state-owned collection of Modern and Contemporary Art acquired from living artists over the past 225 years. Today’s collection, assembled from purchases, gifts and commissions, holds over 100,000 artworks that the Cnap is responsible for enriching, conserving and distributing in France and overseas. The …

Carolee Schneemann, Up to and Including Her Limits, 1973-76. Crayon on paper, rope, harness, 16mm film projector, video (color, sound; 29 min.), and six monitors, Dimensions variable, The Museum of Modern Art, New York, Committee on Drawings Funds and Committee on Media and Performance Art Funds, 2012, © 2015 Courtesy of Carolee Schneemann and PPOW Gallery-NY, Digital image © 2015 The Museum of Modern Art-New York. Photo: Jonathan Muzikar

ART CITIES:N.York-Carolee Schneemann

Carolee Schneemann’s first major work, “Eye Body: 36 Transformative Actions” (1963), posed a question that the artist would continue to explore throughout …

Kim Sooja, A Needle Woman-Kitakyushu (Video Stills Print Production), 1999, Inkjet Print on Hahnemüle paper, 51,94 × 76,20 cm (95 x 71 cm framed), Courtesy the artist and Galleria Raffaella Cortese, Milano, Artwork exhibited by : Raffaella Cortese

ART FAIRS:FIAC 2017,Part II

One of the oldest and respectable Art Fairs, FIAC, opens for its 44th Edition at the Grand Palais in Paris. A major …

ART NEWS:Oct.03

Since the mid-20th century, many artists have committed to distinguishing their work from traditional ink art by devising enlightening and imaginative approaches …

Left: Christian Boltanski, Monument: La Fête de Pourim, 1992, Courtesy the artist Galerie Marian Goodman 120 x 60 cm (overall) Box: 9.5 x 23.5 x 21.8 cm (each) Frame: 60 x 46 cm) 17006) Christian Boltanski Monument: La Fête de Pourim, 1992 Tin boxes, black and white photograph under Plexiglas, a lamp, electric wire 120 x 60 cm (overall) Box: 9.5 x 23.5 x 21.8 cm (each) Frame 60 x 46 cm, Tin boxes, black and white photograph under Plexiglas, a lamp, electric wire, Artwork exhibited by : Marian Goodman. Right: Vlassis Caniaris Child, 1980, Courtesy the estate of the artist and Galerie Peter Kilchmann-Zurich

ART FAIRS:FIAC 2017, Part I

One of the oldest and respectable Art Fairs, FIAC, opens for its 44th Edition at the Grand Palais in Paris. A major …

Gilbert & George, BEARD MERRY, 2016, 190 x 302 cm, © Gilbert & George, Courtesy Galerie Thaddaeus Ropac-London/Paris/Salzburg

ART CITIES:Paris-Gilbert & George

Gilbert & George (Gilbert Proesch and George Passmore), have long since been acknowledged icons of Contemporary Art. In 1967 they met as …

Rita McBride, Particulates (schematic), 2017, Dia Art Foundation Archive

ART CITIES:N.York-Rita McBride

Rita McBride works with the language of sculpture, employing the vocabularies of architecture and design. Her cross-disciplinary practice also encompasses collaborative publications, …

Mona Hatoum, Turbulence (black)

ART-PRESENTATION: Mona Hatoum-Terra Infirma

Mona Hatoum creates discomforting, challenging work that reveals the contradictions and uncertainties of our complex, confounding world. Using domestic and other familiar …

Anri Sala, The Last Resort, 2017, Photo: Peter Greig, Kaldor Public Art Projects Archive

ART CITIES:Melbourne-Anri Sala

Anri Sala’s works of film, sculpture and installation create poetic analogies that reflect on life and culture from different frames of experience. …

Left: Claire Morgan, Time of Death (study), 2017, Pencil and watercolor on paper, 38,1 x 28 cm, Photo: Claire Morgan Studio, © Claire Morgan Studio, Courtesy Galerie Karsten Greve Köln/Paris/St. Moritz. Right: Claire Morgan, To an End, 2017, Blackbird, (taxidermy), wood, polythene, nylon in vitrine, 108,5 x 56,7 x 56,7 cm, © Claire Morgan Studio, Photo: Claire Morgan Studio, Courtesy Galerie Karsten Greve Köln/Paris/St. Moritz

ART CITIES:Paris-Claire Morgan

Claire Morgan’s fragile hanging installations reflect her interest in natural processes and organic materials. In her works, the artist engages with the …

close Itsuko Hasegawa, Maison version 1, Yaizu, 1977

ARCHITECTURE:Japan-ness,Part II

To exhibit Japanese architecture is to offer a broader perspective that clearly shows the diversity of this scene and the defining place …