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Sarah Sze, Ripple (Times Zero), 2020 Oil, acrylic, acrylic polymers, ink, aluminum, archival paper, oil stick, pencil, graphite, string, pushpin, diabond, and wood, 289.6 × 362 cm, © Sarah Sze. Photo: Rob McKeever, Courtesy the artist and Gagosian

ART-PRESENTATION: Sarah Sze

For more than two decades, Sarah Sze’s work has defied the limitations of artistic media, employing with equal facility sculpture, installation, video, photography, printmaking and painting. Sze has been credited with dismantling and re-envisioning the very potential of objects, simultaneously celebrating the particular relevance of sculpture in contemporary visual culture, …

Martha Dimitropoulou, When the Wolf is not Here, 2020, Digital photo, © Martha Dimitropoulou, Courtesy the artist

STATEMENT:Fog Memory

The light wanders among the victories of colors and nature and, other times, among the defeats of the shadows of black and …

Eleni Zouni, Chronicles, ink on canvas, 160 x 230 cm, © Eleni Zouni, Courtesy the artist

NEW ARTWORKS: Eleni Zouni

This column, is hosting new artworks, of younger and older artists who either are on exhibition this days or never exhibited, in …

Panagiotis Koulouras, untitled, 2019, watercolour on paper, 20 X 15 cm, © Panagiotis Koulouras, Courtesy the artist

STATEMENT:Dear Kore

Dear Kore*, I had been feeling – already since the time we lost Vlassis, and as the landscape around me was beginning …

James Turrell, Taurus, Medium Elliptical Glass, 2019, L.E.D. light, etched glass and shallow space, 180.3 cm × 134.6 cm, Runtime: 2 hours 30 minutes, © James Turrell, Courtesy the artist and Pace Gallery

ART-PRESENTATION: James Turrell

Following the precautions against the spread of COVID-19 globally and in order to enable and maintain the engagement with art that is …

Georg Baselitz, Orangenesser 8 (Orange Eater 8)[detail], 2019 Oil on canvas, 170 × 145 cn, © Georg Baselitz, Photo: Jochen Littkemann, Courtesy the artist and Gagosian

ART CITIES:San Francisco -Georg Baselitz

Georg Baselitz is a pioneering Neo-Expressionist who rejected abstraction in favor of recognizable subject matter, deliberately employing a raw style of rendering …

Shuang Li, I Want to Sleep More but by Your Side (Video Still), 2019, Video (color, sound), Duration: 25 minutes 26 seconds, © Shuang Li, Courtesy the artist and Peres Projects

ART CITIES:Berlin-Shuang Li

Engaging with uneven flows of circulation within globalized systems (Internet, international trades, online commerce, transportation, migration and etc.), Shuang Li’s work is …

Left: Al Taylor, No title, 1988, Watercolor, ink, and graphite on paper, Aaron and Barbara Levine. Photography by Ben Cohen. © 2019 The Estate of Al Taylo Right: Al Taylor, Bondage Duck Study, 1998. Graphite, ink, acrylic mica mortar, colored pencil, grease pencil, and wax crayon on paper. Collection Debbie Taylor. Photography by Glenn Steigelman. © 2019 The Estate of Al Taylor

ART CITIES:N.York-Al Taylor

Al Taylor was an American artist known for his uniquely innovative approach to process and materials that encompassed two-dimensional drawings and three-dimensional …

ART CITIES Malmö Hanni Kamaly Markings

ART CITIES:Malmö-Hanni Kamaly

Hanni Kamaly is a research-based artist working with sculpture, video and performance in which she explores subject/object theories and ontology as it …

Erkan Özgen, Purple Muslin, 2018 (video still) single channel, HD video projection, colour, sound, 16:24 mins, produced by Han Nefkens Foundation. Courtesy the artist

BIENNALS:22nd Sydney Biennale

The inaugural Biennale of Sydney was held in 1973 as part of the opening celebrations of the Sydney Opera House. Initiated by …

Marion Greenwood. Construction Worker (study for Blueprint for Living, a Federal Art Project mural, Red Hook Community Building, Brooklyn, New York), 1940. Fresco mounted on composition board, 45.7 x 62.2 cm. Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York; gift of Mrs. Patricia Ashley 1976.44.11

ART-PRESENTATION:Vida Americana

The Mexican mural movement, or Mexican muralism, began as a government-funded form of public art in the wake of the Mexican Revolution …