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Rozbeh Asmani, Colourmarks Billboards, 2022, © Rozbeh Asmani, 2022, Rendering: Giacomo Orth

TRIBUTE: Color As Program

The exhibition “Color as Program” deals with color as an artistic medium and its programmatic, political dimension on the basis of art and cultural history exhibits from far more than 100 years. The theme is not so much the art historical context of color or a media-technological exploration of the …

Eva Koťátková , What Does A Turtle Feel Through the Carapace: Interspecies Traveling Classroom, 2022, Co-commissioned by the Museum of Contemporary Art Kiasma / The Finnish National Gallery and Bildmuseet, Umeå University, Photo: Finnish National Gallery / Petri Virtanen

TRIBUTE: ARS22-Living Encounters

From its inauguration in 1961, the ARS exhibition series has showcased spearheading international contemporary art for local, regional and global audiences every …

ART NEWS:April 01

For his solo  exhibition “Ada”, Alex Katz has peered into his past to revisit works from throughout his oeuvre. These new paintings …

Rosemarie Castoro, Mountain Range, 2003. Welded stainless steel, 9 parts. 350 x 650 cm, © Rosemarie Castoro, Courtesy Rosemarie Castoro Estate and Thaddaeus Ropac Gallery

ART CITIES: London-Rosemarie Castoro

Finding early inspiration in experimental dance and choreography while a student at the Pratt Institute, Brooklyn, and in subsequent collaborations with Minimal …

Vera Lutter, Temple of Nettuno, Paestum: October 24, 2015, unique, silver gelatin print, 14 x 25 1/4 inches (36 x 64 cm), © Vera Lutter, Courtesy the artist and Gagosian

PHOTO: Vera Lutter

Vera Lutter uses one of the oldest optical technologies still in use, that of the camera obscura. Before the invention of photography, …

Robert Irwin, Greek Speak, 2021, Shadow + Reflection + Color, 6' × 12' 5-1/4" × 4-1/4" (182.9 cm × 379.1 cm × 10.8 cm), © Robert Irwin, Courtesy the artist and Pace Gallery

ART CITIES: N.York-Robert Irwin

For more than three decades, Robert Irwin has used fluorescent lights in his work, and in the last decade he has presented …

Steven Parrino, The Self-Mutilation Bootleg 2 (The Open Grave), 1988/2003, enamel on canvas, in 2 parts, overall: 88 × 108 × 72 inches (223.5 × 274.3 × 182.9 cm), © Steven Parrino, Courtesy the Parrino Family Estate. Photo: Zarko Vijatovic

ART CITIES: Paris-Steven Parrino

Steven Parrino is best known for his signature ‘misshaped’ monochromes with slashed, torn, or twisted canvases. A pioneer in performance and video …

Elmgreen & Dragset, Watching, 2017. Collection of Lora Reynolds and Quincy Lee, Austin. Courtesy of Perrotin. Photo: Brian Fitzsimmons and Andreas Koch

ART CITIES: Milan-Elmgreen & Dragset

Based in London and Berlin, Michael Elmgreen and Ingar Dragset have worked as a collaborative duo since the mid-1990s. Drawing from disciplines …

ART NEWS:March 05

Youssef Nabil in his solo exhibition “Memory of a Happy Place”  presents a series of twenty photographs, as well as a new …

Monica Bonvicini, Come On Home / blue, 2021, Murano glass, mirror, ash wood, 12,6 x 55 x 50 cm, © Monica Bonvicini, Courtesy the artist and Galleria Raffaella Cortese, Photo: Anna Lott Donadel

ART CITIES: Milan-Monica Bonvicini

Monica Bonvicini emerged as visual artist and started exhibiting internationally in the mid-1990s. Her multifaceted practice—which investigates the relationship between architecture, power …