ART-PRESENTATION: Daniel Buren-Fuori Tempo, A Perdita D’occhio, Part II
Since the 1960s Daniel Buren’s critical analysis of painting , attempting to refine the act to an elemental form , led him to find what is now a trademark “visual tool”, the use of 8.7cm wide white and coloured vertical stripes. Once chosen for its anonymity and neutral presence, the …