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ART, Page 99

Titus Kaphar, New E̲nunciation, 2021 Oil on canvas with vinyl, 71 ½ × 77 ¼ × 2 ¼ inches (181.6 × 196.2 × 5.7 cm), © Titus Kaphar, Courtesy the artist and Gagosian, Photo: Rob McKeever

ART CITIES: London-Titus Kaphar

Painter, sculptor, filmmaker, and installation artist Titus Kaphar confronts history by dismantling classical structures and styles of visual representation in Western art in order to subvert them. Dislodging entrenched narratives from their status as “past” so as to understand and estimate their impact on the present, he exposes the conceptual …

ART NEWS:April 02

“we sat rigid except for the parts of our bodies that were needed for production” is an exhibition that convenes the work …

Peter Cook, It Can Be Built

VIDEO:Peter Cook-It Can Be Built

Meet British architect Sir Peter Cook who here talks about the possible benefits of drawing by hand and explains why he disagrees …

Oskar Schlemmer, The Triadic Ballet, 1922, Staatsgalerie Stuttgart, © Photo: Oliver Kröning

PRESENTATION: Moved by Schlemmer

Oskar Schlemmer’s work in performance was both experimental and subversive. He purposely broke free from the usual constraints and rules of theater …

Ai Weiwei, Blue-and-White Porcelain Vases, 2017, porcelain, 52 x 52 x 50,5 cm, 20,47 x 20,47 x 19,88 in, ©  Ai Weiwei, Courtesy: the artist and GALLERIA CONTINUA, Photos by: Monkeys Video Lab

ART CITIES: Rome-Ai Weiwei

Ai Weiwei has been called the most influential artist of our time. After denouncing government corruption and lack of respect for human …

Tarek Atoui, Waters’ Witness, Exhibition view, Serralves Museum and Park-Porto, 2022, Courtesy the artist and Serralves Museum and Park

PRESENTATION: Tarek Atoui-Waters’ Witness

Artist and electroacoustic composer Tarek Atoui works with large-scale compositions based on his anthropological, ethnological, musicological and technical research. His exhibitions intersect …

Rozbeh Asmani, Colourmarks Billboards, 2022, © Rozbeh Asmani, 2022, Rendering: Giacomo Orth

TRIBUTE: Color As Program

The exhibition “Color as Program” deals with color as an artistic medium and its programmatic, political dimension on the basis of art …

Eva Koťátková , What Does A Turtle Feel Through the Carapace: Interspecies Traveling Classroom, 2022, Co-commissioned by the Museum of Contemporary Art Kiasma / The Finnish National Gallery and Bildmuseet, Umeå University, Photo: Finnish National Gallery / Petri Virtanen

TRIBUTE: ARS22-Living Encounters

From its inauguration in 1961, the ARS exhibition series has showcased spearheading international contemporary art for local, regional and global audiences every …

ART NEWS:April 01

For his solo  exhibition “Ada”, Alex Katz has peered into his past to revisit works from throughout his oeuvre. These new paintings …

Rosemarie Castoro, Mountain Range, 2003. Welded stainless steel, 9 parts. 350 x 650 cm, © Rosemarie Castoro, Courtesy Rosemarie Castoro Estate and Thaddaeus Ropac Gallery

ART CITIES: London-Rosemarie Castoro

Finding early inspiration in experimental dance and choreography while a student at the Pratt Institute, Brooklyn, and in subsequent collaborations with Minimal …

Robert Irwin, Greek Speak, 2021, Shadow + Reflection + Color, 6' × 12' 5-1/4" × 4-1/4" (182.9 cm × 379.1 cm × 10.8 cm), © Robert Irwin, Courtesy the artist and Pace Gallery

ART CITIES: N.York-Robert Irwin

For more than three decades, Robert Irwin has used fluorescent lights in his work, and in the last decade he has presented …

Steven Parrino, The Self-Mutilation Bootleg 2 (The Open Grave), 1988/2003, enamel on canvas, in 2 parts, overall: 88 × 108 × 72 inches (223.5 × 274.3 × 182.9 cm), © Steven Parrino, Courtesy the Parrino Family Estate. Photo: Zarko Vijatovic

ART CITIES: Paris-Steven Parrino

Steven Parrino is best known for his signature ‘misshaped’ monochromes with slashed, torn, or twisted canvases. A pioneer in performance and video …