ART, Page 156
Cerith Wyn Evans s’ practice can be considered a process of transposition, whereby elements such as text, code, light and sound are compressed, extended, inverted and multiplied. Drawing on the thematic potential and erotic resonance of mechanised forms, the works in this exhibition interweave juxtaposed narratives and skewed perspectives. Suspended, …
One of the most consistently innovative artists to have emerged in the second half of the 20th Century, Jim Dine was a …
Winner of the Marcel Duchamp Prize in 2010, Cyprien Gaillard is currently one of the most prominent young French artists. His work …
Since the 1980s, artists working in China have experimented with various materials, transforming seemingly everyday objects into large-scale artworks. These artists have …
Since the early 1990’s, when I met him for first time, Nikos Kryonidis has moved a long path in art, experimenting not only …
The Daimler Art Collection came into being in 1977. Since then, the Collection has expanded to include 2,000 works by roughly 700 …
It is virtually impossible to categorize Panamarenko’s work in a particular style or movement in contemporary art. This is because of the …
Since the 1980s, artists working in China have experimented with various materials, transforming seemingly everyday objects into large-scale artworks. These artists have …
Walking the streets of Bamako, Berlin, Cairo, Dakar, Johannesburg, Kinshasa, Lagos, or other megacities, Akinbode Akinbiy studies social structures, uncovers the hidden, …
At what point does noise become sound? And what is the relationship between spoken language and our aural environments? Christine Sun Kim, …
![Harun Farocki, Vergleich über ein Drittes / Comparison via a Third [still], 2007. Double channel installation, sound, colour, 24 minutes © Harun Farocki GbR. Courtesy Harun Farocki GbR](https://www.dreamideamachine.com/web/wp-content/uploads/2020/02/Harun-Farocki-In-Comparison-gigapixel-332x269.jpg){kind=tracking}
Harun Farocki and Hito Steyerl are bound by a special form of collaboration, beyond any space-time framework. Though they belong to quite …
For her site-specific work “Perspectives” (2020) Esther Adam draws linguistic and graphic analyses on the wide glass front of the GAK project …
Borrowing style, patterns and materials (ink and mineral pigments on silk) from classical Chinese painting Yuan Jai transfers and incorporates them in …
While painting was considered to be last popular in the 1980’s, the exhibition “Radical Figures: Painting in the New Millennium” is set …
The exhibition “Weather Report: Forecasting Future” is themed around the complex and varied relations between the human and nonhuman in an age …
The exhibition “Sounds Lasting and Leaving” considers how the elusive medium of sound has carried through art since the early 1900s, when …
Part of an exciting new generation of Cuban artists, José Yaque creates lush canvases that resemble molten rock, layers of the earth’s …
Mary Weatherford has become increasingly recognized as one of the leading painters of her generation, as well as one of the most …
Teresa Margolles examines the social causes and consequences of death, destruction and civil war. For Margolles, the morgue accurately reflects society, particularly …
Simone Fattal explores the impact of displacement, as well as the politics of archeology and excavation, as these themes resonate across the …
Tom Pnini has constructed the interactive installation “Two Figures in a Field”, comprised of two main elements “The Set” and “The Vinyl …
Marina Faust’s oeuvre is anchored in self-portraits, which she has been doing since the start of her career. She places herself in …
Kader Attia’s background informs a practice that reflects on prevailing differences between contemporary cultures and aesthetics, and on the impact of dominant …
