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TRIBUTE, Page 11

Mario Merz, Igloo, 1971, Steel tubes, neon tubing, wire mesh, transformer, and C-clamps, 100 x 200 x 200 cm, Collection Walker Art Center, Minneapolis, T.B. Walker Acquisition Fund, 2001

ART-TRIBUTE:Ileana Sonnabend and Arte Povera,Part I

Ileana Sonnabend stands as one of the most influential and provocative figures of the recent art historical canon. From her early childhood interests to her marriages and subsequent collaborations with Leo Castelli and Michael Sonnabend, her life revolved around championing art and artists, particularly works that challenged the status quo …

ART:Blue in Art II

Art help us to think, to dream but also to travel. I never considered although at times I have been misunderstood, I …

ART:Blue in Art I

Art help us to think, to dream but also to travel. I never considered although at times I have been misunderstood, I …

Felix Gonzalez-Torres, Untitled (Water) (Detail), 1995, Installation View, Courtesy Brooklyn Museum

ART-TRIBUTE:Infinite Blue,Part III

The Brooklyn Museum presents “Infinite Blue”, a major Collection exhibition in, that uses the color blue as a lens through which to …

Felix Gonzalez-Torres, Untitled (Water), 1995, Installation View, Courtesy Brooklyn Museum

ART-TRIBUTE:Infinite Blue,Part II

The Brooklyn Museum presents “Infinite Blue”, a major Collection exhibition in, that uses the color blue as a lens through which to …

Mona Hatoum, Fix it, 2004, EMST Collection, Photo: Nils Klinger, EMST Archive

ART-TRIBUTE: ANTIDORON, Part IV

The exhibition “ANTIDORON The EMST Collection” in Kassel marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) …

ART-TRIBUTE: ANTIDORON, Part III

The exhibition “ANTIDORON The EMST Collection” in Kassel marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) …

Hito Steyerl, Liquidity Inc., 2014, Installation view, Courtesy Brooklyn Museum

ART-TRIBUTE:Infinite Blue, Part I

The Brooklyn Museum presents “Infinite Blue”, a major Collection exhibition in, that uses the color blue as a lens through which to …

Janine Antoni, Slumber, 1994, EMST Collection, Photo: Nils Klinger-documenta 14, EMST Archive

ART-TRIBUTE: ANTIDORON, Part II

The exhibition “ANTIDORON The EMST Collection” in Kassel marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) …

Jannis Kounellis, Untitled, EMST Collection, Photo: Jasper Kettner, EMST Archive

ART-TRIBUTE: ANTIDORON, Part I

The exhibition “ANTIDORON The EMST Collection” in Kassel marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) …

Elina Brotherus, Fille aux fleurs, 2002, Chromogenic photograph on anodized aluminum, 105x130 cm, Ed. 3/6, Courtesy Fondazione MAXXI and Galleria Sonath Parigi

ART-TRIBUTE:The Place To Be,Part III

MAXXI Museum is reconfiguring and tripling the spaces devoted to its permanent Collections, reinforcing its identity and its public mission, starting with …

Elisabetta Benassi, MareoMerz, 2013, Fishing boat, car, net, 9 x 12 x 3 m, Courtesy Fondazione Merz, Fondazione MAXXI Archive

ART-TRIBUTE:The Place To Be,Part II

MAXXI Museum is reconfiguring and tripling the spaces devoted to its permanent Collections, reinforcing its identity and its public mission, starting with …

Michelangelo Pistoletto, Quadro di fili elettrici – Tenda di lampadine 1967 , Electrical cables, bulbs, Courtesy Fondazione MAXXI

ART-TRIBUTE:The Place To Be,Part I

MAXXI Museum is reconfiguring and tripling the spaces devoted to its permanent Collections, reinforcing its identity and its public mission, starting with …