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TRIBUTE, Page 10

Bruce Nauman. All Thumbs. 1996. Plaster, component A: 25.4 × 14 × 10.2 cm; component B: 24.1 × 10.2 × 10.8 cm. Private collection, courtesy Sperone Westwater-New York. © 2018 Bruce Nauman/Artists Rights Society (ARS)-New York. Photo Courtesy the artist and Sperone Westwater-New York

ART-TRIBUTE:Bruce Nauman-Disappearing Acts, Part I

Bruce Nauman is a central figure in Contemporary Art and one of the most influential artists of his time. Throughout his career, Nauman has continuously explored how ways of understanding ourselves in the world are structured by our phenomenological and psychological experience of time, space, sound, movement, and architecture, as …

Alberto Burri, Rosso Plastica, 1963, Plastic, acrylic, vinavil and combustion on canvas, 80 x 100 cm, © Tornabuoni Art

ART-TRIBUTE:Alberto Burri

Alberto Burri was a master of 20th Century art, his works successfully blur the line between painting and sculpture. As a result …

Lee Bul, Mon grand récit: Weep into stones..., 2005, Exhibition view "Lee Bul: Crash", Gropius Bau, 2018, Photo: Mathias Völzke

ART-TRIBUTE:Lee Bul-Crash,Part II

Throughout her 30-year artistic career, Lee Bul has been witness to South Korea’s evolution, from military dictatorship to democracy in perpetual confrontation …

Lee Bul, Willing To Be Vulnerable, 2015–2016, Exhibition view Hayward Gallery, 2018, Photo: Maxie Fischer, photo courtesy: Gropius Bau

ART-TRIBUTE:Lee Bul-Crash,Part I

Throughout her 30-year artistic career, Lee Bul has been witness to South Korea’s evolution, from military dictatorship to democracy in perpetual confrontation …

Regina Silveira, (Brazilian, b. 1939), Biscoito arte (Art cookie) [detail], 1976, C-prints (diptych). 74.9 × 99.1 cm, 99.1 × 99.1 cm, 177 × 101 cm overall, Collection of Fernanda Feitosa and Heitor Martins, © Regina Silveira. Courtesy of the artist and Pinacoteca de São Paulo

ART-TRIBUTE:Radical Women,Part II

Amidst the tumult and revolution that characterized the latter half of the 20th Century in Latin America and the USA, women artists …

Feliza Bursztyn, Cama (Bed), 1974, Assemblage with stainless steel scrap, cot, satin sheet, and motor, 110 × 180 × 70 cm, Museo Nacional de Colombia, © Feliza Bursztyn, Photo: Andrés Mauricio López, Courtesy of Museo Nacional de Colombia

ART-TRIBUTE:Radical Women,Part I

Amidst the tumult and revolution that characterized the latter half of the 20th Century in Latin America and the USA, women artists …

Left: Rachel Whiteread, "LOOK, LOOK, LOOK", 2012, Resin, Three panels each 189.5 × 39.5 × 15, Private Collection; Photo courtesy the artist and Mike Bruce. Right: Installation View: RACHEL WHITEREAD, © Belvedere, Vienna, 2018, Photo: Johannes Stoll

ART-TRIBUTE:Rachel Whiteread,Part II

Rachel Whiteread’s approach to sculpture is predicated on the translation of negative space into solid form. Casting from everyday objects, oftentimes using …

Catherine Opie, Untitled #10 (1999), 1999, c-print, 40.6 x 50.8 cm print, 55.9 x 66 cm framed, Edition of 5, © Catherine Opie, Courtesy the artist and Lehmann Maupin Gallery

ART-TRIBUTE:American Landscape

Landscape has inspired painters, it was the canvas upon which created the most impressive and great works by the artists of Land …

Rachel Whiteread, Untitled (Clear Torso), 1993, Polyurethane resin, 100 x 180 x 255 mm, Courtesy of the artist; Photo: Courtesy of the artist

ART-TRIBUTE:Rachel Whiteread,Part I

Rachel Whiteread’s approach to sculpture is predicated on the translation of negative space into solid form. Casting from everyday objects, oftentimes using …

View of the exhibition “Women House” at Monnaie de Paris, Photo: Monnaie de Paris Archive

ART-TRIBUTE:Women House,Part II

Questions about a woman’s “place” resonate in our culture, and conventional ideas persist about the house as a feminine space, 39 contemporary …

View of the exhibition “Women House” at Monnaie de Paris, Photo: Monnaie de Paris Archive

ART-TRIBUTE:Women House,Part I

Questions about a woman’s “place” resonate in our culture, and conventional ideas persist about the house as a feminine space, 39 contemporary …