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PRESENTATION, Page 97

Françoise Grossen, Mermaid I, 1978, Polyester rope, metal, 16 x 96 x 96 inches, Photo: Genevieve Hanson, Courtesy of the artist and Blum & Poe - Los Angeles/New York/Tokyo

ART-PRESENTATION: Françoise Grossen

In the ‘60s, Françoise Grossen rejected the rectilinear loom that constrained contemporary weaving for an intuitive approach to fiber that resulted in the creation of large-scale, suspended rope forms constructed of knots, loops, braids, and twists. At the time, fiber was still associated with utility or ornament rather than fine …

Mona Hatoum, Turbulence (black)

ART-PRESENTATION: Mona Hatoum-Terra Infirma

Mona Hatoum creates discomforting, challenging work that reveals the contradictions and uncertainties of our complex, confounding world. Using domestic and other familiar …

Keith Haring, Untitled (velum), 1986, Collection Stedelijk Museum Amsterdam, © Keith Haring Foundation

ART-PRESENTATION: Keith Haring

Keith Haring was an artist and social activist responding to New York City’s street culture of the ‘80s. His work is about …

Yoko Ono, War Is Over if you want it", 1969, Poster, ©Yoko Ono. Right: Yoko Ono and John Lennon, Montreal Bed-In, 1969, Photo: Ivor Sharp, ©Yoko Ono

ART-PREVIEW:Yoko Ono-Transmission

In the ’60s, Yoko Ono became increasingly involved in conceptual art, especially in performance, as an occasional member of Fluxus, she rejected …