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PRESENTATION, Page 97

Anthony Caro, Month of May, 1963, Steel & aluminium, painted, 279,5 x 305 x 358,5 cm, © Courtesy of Barford Sculptures Limited and Gagosian Gallery, Photo: © Stefan Hostettler & Moritz Wegwerth

ART-PRESENTATION: Anthony Caro

How would an abstract sculpture look? That was the question Anthony Caro asked himself when he encountered American Abstract painting in the …

Lucassen, Vrouw in interieur 1975,1975, Acrylic paint on canvas, 100.5 x 120 cm,101.5 x 121.5 cm with frame, Collection Centraal Museum, Utrecht, Image & copyrights CMU/ Ernst Moritz

ART-PREVIEW:Bye Bye De Stijl

Originally a publication, De Stijl was founded in 1917 by two pioneers of Abstract Art, Piet Mondrian and Theo van Doesburg. The …

Laura Anderson Barbata, Bird Fish Prince, 2017, Costume consisting seven pieces including crown, mixed fibre coat, pants with sequins, shaggy skirt, decorated t-shirt, two shaggy wing extensions, 271 x 68 x 55 cm, Courtesy the artist

ART-PRESENTATION: The Oceanic

The exhibition “The Oceanic” marks the start of NTU CCA Singapore’s new overarching research topic CLIMATES. HABITATS. ENVIRONMENTS., which inform and connect …

Exhibition View, Nazgol Ansarinia, Fragments-Particles and the Mechanisms of Growth at KIOSK, 2017, Photo: Tom Callemin, Courtesy KIOSK

ART-PRESENTATION: Nazgol Ansarinia

Nazgol Ansarinia examines the systems and networks that underwrite her daily life. Born and raised in Tehran, she dissects, interrogates and recasts …

Kiki Smith, Receive, 2016, Blackened bronze, 32.4×61×30.5 cm, Ed. 1/6 + 1 AP, Courtesy the artist and Galleria Raffaella Cortese-Milano

ART-PREVIEW:Kiki Smith-Quest

Kiki Smith’s work resists both modern and classical notions of beauty, trading in the easily fetishized exterior of the body for the …

Ed Atkins, Old Food (Production Still), 2017, © Ed Atkins, Courtesy the artist, Galerie Isabella Bortolozzi-Berlin, Cabinet Gallery-London, Gavin Brown's Enterprise-New York and dependence-Brussels, Martin-Gropius-Bau Archive

ART-PRESENTATION:Ed Atkins-Old Food

Ed Atkins’ computer-generated films feature shabby, lonely protagonists with disarming and marked fidelity. His animations demonstrate their digital constitution, their near-total artifice, …