ART-TRIBUTE:Marvelous Objects-Surrealist Sculpture from Paris to New York

00Surrealism was an international art, intellectual, and literary movement led by poet André Breton from 1924 with the publication of the Manifesto of Surrealism through World War II. The Surrealists sought to overthrow the oppressive rules of modern society by demolishing its backbone of rational thought. To do so, they attempted to tap into the “superior reality” of the subconscious mind.

By Dimitris Lempesis
Photo: Hirshhorn Museum Archive

Surrealist art has largely been defined as predominantly paintings and drawings by artists working in Paris. A few exhibitions focusing on sculptures have addressed only one aspect, the found-object assemblages. The exhibition “Marvelous Objects: Surrealist Sculpture from Paris to New York” seeks to present a more holistic overview of Surrealism from the early ‘20s through the late ‘40s, in Europe and the United States. The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the ‘20s to the ‘50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found-object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion. In addition to the 85 sculptural works, the exhibition presents a number of drawings, paintings and photographs that substantiate the surrealists’ interest in working in three dimensions. These range from photographs of disturbingly posed dolls by Hans Bellmer and Ruth Bernhard to images of bizarrely dressed mannequins in the surrealists’ 1938 exhibition in Paris. Also included in the exhibition are sculptures from the ‘30s to the early ‘50s that transition from surrealism to postwar metal constructions.

Info: Hirshhorn Museum and Sculpture Garden, Independence Avenue at Seventh Street SW, Washington, Duration: 29/10/15-15/2/16, Days & Hours: Mon-Sun 10:00-17:30, http://hirshhorn.si.edu

 

Jean (Hans) Arp, Objects Placed on Three Planes Like Writing, 1928, The Wadsworth Atheneum Museum of Art, Hartford, Connecticut., Purchased through the gift of James Junius Goodwin, © 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Hirshhorn Museum Archive
Jean (Hans) Arp, Objects Placed on Three Planes Like Writing, 1928, The Wadsworth Atheneum Museum of Art, Hartford, Connecticut., Purchased through the gift of James Junius Goodwin, © 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Hirshhorn Museum and Sculpture Garden Archive.

 

 

02 Jean (Hans) Arp, Shirt Front and Fork, 1922, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, © 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, BonnHirshhorn Museum Archive
Jean (Hans) Arp, Shirt Front and Fork, 1922, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, © 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Hirshhorn Museum and Sculpture Garden Archive.

 

 

03 Hans Bellmer, The Doll, c. 1934, The Metropolitan Museum of Art. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987, © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris, Hirshhorn Museum Archive
Hans Bellmer, The Doll, c. 1934, The Metropolitan Museum of Art. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987, © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris, Hirshhorn Museum and Sculpture Garden Archive.

 

 

04 Alberto Giacometti, Woman with Her Throat Cut, 1932, Cast 1949, The Museum of Modern Art, New York. Purchase 1949, © 2015 Alberto Giacometti Estate / Licensed by VAGA and ARS, New York, NY, Hirshhorn Museum Archive
Alberto Giacometti, Woman with Her Throat Cut, 1932, Cast 1949, The Museum of Modern Art, New York. Purchase 1949, © 2015 Alberto Giacometti Estate / Licensed by VAGA and ARS, New York, NY, Hirshhorn Museum and Sculpture Garden Archive.

 

 

05 Left: Joseph Cornell, Medici Princess, c. 1948–52, Hirshhorn Museum and Sculpture Garden, Museum Purchase, 1979, © The Joseph & Robert Cornell Memorial Foundation / VAGA, New York, Hirshhorn Museum and Sculpture Garden Archive. Right: Salvador Dalí, Venus de Milo with Drawers, 1936, edition 1964, Mugrabi Collection, © Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society (ARS), New York 2015, Hirshhorn Museum and Sculpture Garden Archive.
Left: Joseph Cornell, Medici Princess, c. 1948–52, Hirshhorn Museum and Sculpture Garden, Museum Purchase, 1979, © The Joseph & Robert Cornell Memorial Foundation / VAGA, New York, Hirshhorn Museum and Sculpture Garden Archive. Right: Salvador Dalí, Venus de Milo with Drawers, 1936, edition 1964, Mugrabi Collection, © Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society (ARS), New York 2015, Hirshhorn Museum and Sculpture Garden Archive.

 

 

06 Left: Marcel Duchamp, Fresh Widow, 1920, edition 1964, National Gallery of Art, Washington. Gift of Deborah and Ed Shein, © Succession Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York, 2015, Hirshhorn Museum and Sculpture Garden Archive. Right: Max Ernst, Moonmad, 1944, cast 1956, Hirshhorn Museum and Sculpture Garden. Gift of Joseph H. Hirshhorn, 1966, © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris, Hirshhorn Museum and Sculpture Garden Archive.
Left: Marcel Duchamp, Fresh Widow, 1920, edition 1964, National Gallery of Art, Washington. Gift of Deborah and Ed Shein, © Succession Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York, 2015, Hirshhorn Museum and Sculpture Garden Archive. Right: Max Ernst, Moonmad, 1944, cast 1956, Hirshhorn Museum and Sculpture Garden. Gift of Joseph H. Hirshhorn, 1966, © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris, Hirshhorn Museum and Sculpture Garden Archive.

 

 

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Left: Man Ray, Object to Be Destroyed (Indestructible Object), 1932, edition 1965, Smithsonian American Art Museum. Gift of Samuel M. Greenbaum and Helen Mark families in memory of Helen Mark Greenbaum, © Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2015, Hirshhorn Museum and Sculpture Garden Archive. Right: Henry Moore, Stringed Figure No. 1, 1937, Hirshhorn Museum and Sculpture Garden. Joseph H. Hirshhorn Purchase Fund, 1989, Reproduced by permission of The Henry Moore Foundation, Hirshhorn Museum and Sculpture Garden Archive.

 

 

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Left: Isamu Noguchi, Lunar Landscape, 1943–44, Hirshhorn Museum and Sculpture Garden. Gift of Joseph H. Hirshhorn, 1966, © 2015 The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS), New York, Hirshhorn Museum and Sculpture Garden Archive. Right: David Smith, Chain Head, 1933, The Estate of David Smith, New York, © The Estate of David Smith. Licensed by VAGA, New York, NY, Hirshhorn Museum and Sculpture Garden Archive.