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Tatiana Trouvé, Untitled, from the series “Les dessouvenus”, 2017, Pencil, paper on canvas, bleach. 153 x 240 x 3,5 cm, Photo, Florian Kleinefenn. © Tatiana Trouvé / ADAGP 2017, Galerie Perrotin Archive

ART-PRESENTATION: Tatiana Trouvé-House Of Leaves

In her installations, sculptures and drawings, the Paris-based artist Tatiana Trouvé tackles the uncertain boundaries of fiction and reality, the mental and the physical, and explores notions of time, space and memory. Her works combine intricate scenographic drawings, sculptures both linear and three–dimensional, and spaces that hint at invisible dimensions. …

Zhuang Hui, Qilian Range - 07, 2014, Inkjet color print, 80 × 370 cm, Edition of 3 + 1AP, Galleria Continua Archive

ART CITIES:Beijing-Zhuang Hui

Zhuang Hui began his artistic career as an oil painter and subsequently shifted to performance-based art and photography. Zhuang Hui has always …

Teresita Fernández, Fire (America) 3, 2016, glazed ceramic, 182.9 x 365.8 x 3.2 cm, Photo: EPW Studio/Maris Hutchinson, Courtesy the Artist and Lehmann Maupin-New York/Hong Kong

ART CITIES:N.York-Teresita Fernández

Teresita Fernández is a sculptor who integrates architecture and the optical effects of color and light to produce exquisitely constructed, contemplative spaces. …

Fred Tomaselli, Wednesday, July 23, 2014, 2016, Acrylic and photo collage over archival inkjet print, 109.2 x 120.7 cm, © Fred Tomaselli. Photo © White Cube (Max Yawney)

ART CITIES:London- Fred Tomaselli

Over his career, Fred Tomaselli is best known for his highly detailed paintings on wood panels, combining an array of unorthodox materials …

William Eggleston, Memphis, ca. 1965-68, from the series “Los Alamos” 1965-74, © Eggleston Artistic Trust, Courtesy David Zwirner New York/London

PHOTO:William Eggleston-Los Alamos

William Eggleston is known for his pioneering work in color photography, which he helped establish as a serious artistic medium. Using a …

La timidité des cimes, Exhibition Poster, Courtesy 49 Nord 6 Est-Frac Lorraine

ART-PREVIEW:La Timidité Des Cimes

Crown shyness or canopy disengagement is a phenomenon observed in some tree species in which the crowns of neighboring trees of similar …

Aya Takano, The present day, and then…, 2017. Work in progress., Oil on canvas, 72.7 × 91cm, © 2017 Aya Takano/Kaikai Kiki Co., Ltd, All Rights Reserved, Courtesy Galerie Perrotin

ART CITIES:Paris-Aya Takano

Born in Saitama, Japan, Aya Takano spent most of her childhood reading science fiction books and magazines in her father’s library. Fascinated …

ART NEWS:March 03

Manuela Marques’ solo exhibition “Versailles. The hidden face of the sun” is the first public presentation of a group of photographs made …

Claire Fontaine, PLEASE COME BACK (K.Font), 2008, White fluorescent tubes, steel mounted on a scaffolding structure, motion detector, Installation at Galerie Chantal Crousel-Paris (20/12/08-31/1/09, Photo: Florian Keinefenn, Courtesy MAXXI National Museum of XXI Century Arts

ART-PRESENTATION: Please Come Back

The prisons we currently live in, under constant surveillance, are our cities, where any manifestation of difference is controlled and mapped in …

ART FAIRS:Art Cologne 2017

With Berlin divided after World War II, the new capital of West Germany became Bonn, which is a city located very close …

Rafael Aranda, Carme Pigem & Ramon Vilalta

ARCHITECTURE:Pritzker Prize 2017

The Pritzker Prize is considered the Nobel of Architecture and is the highest honor and recognition for every Architect. 2017 marks the …

John Chamberlain, Studio Lite IV, 1989, Photography, Ed. 4/9, 50,8 x 61 cm, © John Chamberlain, Courtesy Galerie Karsten Greve Köln/Paris/St Moritz

ART CITIES:Paris-John Chamberlain

John Chamberlain came to fame by creating exuberant and stately forms, using the crumpled car parts’ colors to delineate the irregularity of …

Lee Ufan, Untitled, 2016, Painting on porcelain, 66 x 64 cm, © 2015 Artists Rights Society (ARS)-New York / ADAGP-Paris, Photo: Kerry Ryan McFate, Courtesy of Pace Gallery

ART CITIES:N.York-Lee Ufan

Mono-ha began as a sculpture movement, but Lee Ufan extended its literalness to painting. Loading his brush, he patted marks in a …