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Shusaku Arakawa, Textures of Time, 1977, acrylic, pencil and art marker on canvas, framed, 175.3 x 262.9 cm, © Estate of Madeline Gins, Reproduced with the permission of the Estate of Madeline Gins, Photo Rob McKeever

ART CITIES:N.York-Shusaku Arakawa

Renowned for his paintings, drawings, and prints, as well as his innovative architectural constructions, Shusaku Arakawa was one of the earliest practitioners …

Rana Begun

ART CITIES:Dubai-Rana Begun

Lodged between Op Art and Minimalism, Rana Begum’s works draw their inspiration from repetitive geometric patterns found within Islamic art and urban …

Jim Shaw, The Potato Family (Detail), 2018, Acrylic on canvas, 129.5 x 101.6 cm, © Jim Shaw, Courtesy the artist and Metro Pictures-New York

ART CITIES:N.York-Jim Shaw

The practice of Jim Shaw spans a wide range of artistic media and visual imagery. Since the 1970s, Shaw has mined the …

Krištof Kintera, From the exhibition Postnaturalia, 2017, Collezione Maramotti, Reggio Emilia, 2019, Photo Dario Lasagni

ART-TRIBUTE:Rehang, Part I

For the first time since the opening of Collezione Maramotti in October 2007, ten rooms on the second floor of the permanent …

Amar Kanwar, The Lightning Testimonies, 2007, Eight-channel video installation, color and b/w, sound, Duration 32 min 31 sec, Co-production Thyssen-Bornemisza Art Contemporary and Public Press-New Delhi, Thyssen-Bornemisza Art Contemporary Collection, Courtesy the artist

ART-TRIBUTE:Amar Kanwar,Part II

Amar Kanwar’s work focuses on such issues as nationalism, politics, justice, power, violence and sexual abuse in the Indian subcontinent. His installations …

Christiane Löhr, Gelbes Pentagon (yellow pentagon), 2017, Plant stalks, 12,5 x 25 x 23 cm, PHoto: David Ertl, © Christiane Löhr, Courtesy the artist and Bernier/Eliades Gallery

ART CITIES:Athens-Christiane Löhr

Christiane Löhr’s. work is quintessentially ecological and eco-sustainable, for it uses strictly natural, and thus fully biodegradable, materials which are gathered according …

Amar Kanwar, The Scene of Crime, 2011, Single-channel video installation, color, sound, 42 min., overall dimensions variable, Coproduction for Museo Nacional Thyssen-Bornemisza, with the support of Centre Pompidou, Thyssen-Bornemisza Art Contemporary Collection, Courtesy the artist and marian Goodman Gallery-Paris/New York

ART-TRIBUTE:Amar Kanwar,Part I

Amar Kanwar’s work focuses on such issues as nationalism, politics, justice, power, violence and sexual abuse in the Indian subcontinent. His installations …

Left: Lee Ufan, Relatum - The Shadow of the Stars, 2014, Steel, 7 stones and gravel of white marble, 200 x 4500 x 4000 cm, View of the exhibition “Lee Ufan Versailles”, Château de Versailles, 2014, Photo. archives Kamel Mennour, Courtesy the artist, Kamel Mennour-Paris/London and Pace-New York, © Adagp, Paris, 2018. Right: Lee Ufan, Dialogue, 2010, Installation at the Lee Ufan Museum in Naoshima, Mural, Space on the ground, 720 x 900 cm 330 cm (minimum height), 360 cm (maximum height), Courtesy the artist and Kamel Mennour-Paris / London, © Adagp, Paris, 2018

ART CITIES:Metz-Lee Ufan

The retrospective “Inhabiting Time” presents the work of artist-philosopher, Lee Ufan, charting his creation of a visual, conceptual, and theoretical terrain that …