TRAVELER’S DIARY: L’envol at Maison Rouge, Part II

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison RougeThe dream of flying is as old as mankind, but men are not birds. Through the exhibition “L’envol” Maison Rouge offers the visitor a journey to dream and flying in the sky. The exhibition moves around the contemporary art fiction, taking as a starting point the Daedalus Myth and the risk arising from flying. Daedalus’ efforts and his desire to overcome human boundaries and to fly freely, like a bird in the sky are the occasion to reconsider works and artists with corresponding desires. From myth to reality, the sky was always a dangerous playground for humanity. This absolutely charming journey with risk, mystery, desire and danger is invited the audience to realize through the works of 130 artists. Through paintings, photos, videos, sculptures, installations and performance , as they endeavour to challenge the laws of gravity, break free of Earth’s magnetic field, launch themselves into the unknown. Like shamans, accustomed to travelling between worlds, converse with spirits and collect information while improbable creatures, they shut themselves away in their own worlds, all the better to escape to another place, experience the extraordinary and relive childhood fantasies, but with adult toys. Like Panamarenko works that are beautiful machines, created by the engineer of the impossible and of no purpose whatsoever – except for the dreams they inspire. Yves Klein, Panamarenko, Kiki Smith, Ilya & Emilia Kabakov, Cai Guo-Qiang, Rebecca Horn, Fabio Mauri, are some of the best-known names that artwork by artwork are offering us a flight in the sky and beyond (Part I), (PART III)–Efi Michalarou

Info: Curators: Antoine de Galbert, Bruno Decharme, Aline Vidal and Barbara Safarova, La Maison Rouge, 10 boulevardd de la Bastille, Paris, Duration: 16/6-28/10/18, Days & Hours: Wed & Fri-Sun 11:00-19”00, Thu 11:00-21:00, http://lamaisonrouge.org

Urs Lüthi, Selfportrait, 1976, B&W photograph, © Urs Lüthi, Pro Litteris. Courtesy Private Collection
Urs Lüthi, Selfportrait, 1976, B&W photograph, © Urs Lüthi, Pro Litteris. Courtesy Private Collection

 

 

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge
Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge

 

 

Left: Alexandre Rodchenko, Un saut, 1934, B&W photograph, Courtesy Collection Multimedia Art Museum-Moscow / Moscow House of Photography Museum. Right: Yves Klein, Saut dans le vide, 1960, B&W photograph, © Succession Yves Klein c/o Adagp-Paris, © Photo Collaboration Harry Shunk and Janos Kender, © J. Paul Getty Trust. The Getty Research Institute-Los Angeles
Left: Alexandre Rodchenko, Un saut, 1934, B&W photograph, Courtesy Collection Multimedia Art Museum-Moscow / Moscow House of Photography Museum. Right: Yves Klein, Saut dans le vide, 1960, B&W photograph, © Succession Yves Klein c/o Adagp-Paris, © Photo Collaboration Harry Shunk and Janos Kender, © J. Paul Getty Trust. The Getty Research Institute-Los Angeles

 

 

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge
Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge

 

 

Rebecca Horn, The little Mermaid, 1990, Feathers, motor, metal rod, © Rebecca Horn. Courtesy Collection Antoine de Galbert, Photo: Célia Pernot
Rebecca Horn, The little Mermaid, 1990, Feathers, motor, metal rod, © Rebecca Horn. Courtesy Collection Antoine de Galbert, Photo: Célia Pernot

 

 

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge
Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge

 

 

Agnès Geoffray, Suspendue, 2016, B&W photograph, © Agnès Geoffray. Courtesy the Artist
Agnès Geoffray, Suspendue, 2016, B&W photograph, © Agnès Geoffray. Courtesy the Artist

 

 

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge
Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge

 

 

Lucien Pelen, Chaise n° 2 (détail), 2005, B&W photograph, © Lucien Pelen, Courtesy Galerie Aline Vidal
Lucien Pelen, Chaise n° 2 (détail), 2005, B&W photograph, © Lucien Pelen, Courtesy Galerie Aline Vidal

 

 

Eikoh Hosoe, Kamaitachi 17, 1965, B&W photograph, © Eikoh Hosoe, Courtesy galerie Jean-Kenta Gauthier-Paris
Eikoh Hosoe, Kamaitachi 17, 1965, B&W photograph, © Eikoh Hosoe, Courtesy galerie Jean-Kenta Gauthier-Paris

 

 

Henry Darger, Young Rebonna Dorthereans Blengins – Catherine Isles, Female, One Whip-Lash-Tail, 1920-30, Graphite pencil, watercolor, gouache and black ink on wove paper, © Kiyoko Lerner, Adagp, 2018, Courtesy Musée d’art moderne de la Ville de Paris
Henry Darger, Young Rebonna Dorthereans Blengins – Catherine Isles, Female, One Whip-Lash-Tail, 1920-30, Graphite pencil, watercolor, gouache and black ink on wove paper, © Kiyoko Lerner, Adagp, 2018, Courtesy Musée d’art moderne de la Ville de Paris

 

 

Georges Méliès, Le voyage dans la lune. Le clair de terre – (10e tableau), Courtesy Collection La Cinémathèque française
Georges Méliès, Le voyage dans la lune. Le clair de terre – (10e tableau), Courtesy Collection La Cinémathèque française