TRAVELER’S DIARY: L’envol at Maison Rouge, Part I

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison RougeThe dream of flying is as old as mankind, but men are not birds. Through the exhibition “L’envol” Maison Rouge offers the visitor a journey to dream and flying in the sky. The exhibition moves around the contemporary art fiction, taking as a starting point the Daedalus Myth and the risk arising from flying. Daedalus’ efforts and his desire to overcome human boundaries and to fly freely, like a bird in the sky are the occasion to reconsider works and artists with corresponding desires. From myth to reality, the sky was always a dangerous playground for humanity. This absolutely charming journey with risk, mystery, desire and danger is invited the audience to realize through the works of 130 artists. Through paintings, photos, videos, sculptures, installations and performance , as they endeavour to challenge the laws of gravity, break free of Earth’s magnetic field, launch themselves into the unknown. Like shamans, accustomed to travelling between worlds, converse with spirits and collect information while improbable creatures, they shut themselves away in their own worlds, all the better to escape to another place, experience the extraordinary and relive childhood fantasies, but with adult toys. Like Panamarenko works that are beautiful machines, created by the engineer of the impossible and of no purpose whatsoever – except for the dreams they inspire. Yves Klein, Panamarenko, Kiki Smith, Ilya & Emilia Kabakov, Cai Guo-Qiang, Rebecca Horn, Fabio Mauri, are some of the best-known names that artwork by artwork are offering us a flight in the sky and beyond (Part II), (Part III).–Efi Michalarou

Info: Curators: Antoine de Galbert, Bruno Decharme, Aline Vidal and Barbara Safarova, La Maison Rouge, 10 boulevardd de la Bastille, Paris, Duration: 16/6-28/10/18, Days & Hours: Wed & Fri-Sun 11:00-19”00, Thu 11:00-21:00, http://lamaisonrouge.org

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge
Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge

 

 

Left: Ilya & Emilia Kabakov, How Can One Change Oneself, 2010, installation, © Ilya & Emilia Kabakov, Courtesy the artists and Galleria Continua-San Gimignano/Beijing/Les Moulins/Habana. Right: Fabio Mauri, Macchina per fissare acquerelli, 2007, Metal, wood, gum, Installation view at Maison Rouge-Paris 2018, Photo: Marc Domage, © Fabio Mauri, Adagp, 2018. Courtesy Estate of Fabio Mauri and Hauser & Wirth, Zürich
Left: Ilya & Emilia Kabakov, How Can One Change Oneself, 2010, installation, © Ilya & Emilia Kabakov, Courtesy the artists and Galleria Continua-San Gimignano/Beijing/Les Moulins/Habana. Right: Fabio Mauri, Macchina per fissare acquerelli, 2007, Metal, wood, gum, Installation view at Maison Rouge-Paris 2018, Photo: Marc Domage, © Fabio Mauri, Adagp, 2018. Courtesy Estate of Fabio Mauri and Hauser & Wirth, Zürich

 

 

Philippe Thomassin, Flight Time 5h34', 1989-1991, © Philippe Thomassin, Photo: Célia Pernot, Courtesy collection Antoine de Galbert
Philippe Thomassin, Flight Time 5h34′, 1989-1991, © Philippe Thomassin, Photo: Célia Pernot, Courtesy Collection Antoine de Galbert

 

 

Emery Blagdon, Untitled, Undated, assembly of recovery objects, Courtesy Collection abcd / Bruno Decharme
Emery Blagdon, Untitled, Undated, assembly of recovery objects, Courtesy Collection abcd / Bruno Decharme

 

 

Sethembile Msezane, Chapungu - The Day Rhodes Fell, 2015, Color photograph, © Sethembile Msezane. Courtesy Private Collection
Sethembile Msezane, Chapungu – The Day Rhodes Fell, 2015, Color photograph, © Sethembile Msezane. Courtesy Private Collection

 

 

Left: Fabio Mauri, Macchina per fissare acquerelli, 2007, Metal, wood, gum, © Fabio Mauri, Adagp, 2018, Photo: Sandro Mele, Courtesy Estate of Fabio Mauri & Hauser & Wirth-Zürich. Right: François Burland, Fusée Soviet Union, 2013, Fiberglass, metal, wood, © François Borland, Atomik Magic Circus, Photo: Romain Mader & Nadja Kilchhofer
Left: Fabio Mauri, Macchina per fissare acquerelli, 2007, Metal, wood, gum, © Fabio Mauri, Adagp, 2018, Photo: Sandro Mele, Courtesy Estate of Fabio Mauri & Hauser & Wirth-Zürich. Right: François Burland, Fusée Soviet Union, 2013, Fiberglass, metal, wood, © François Borland, Atomik Magic Circus, Photo: Romain Mader & Nadja Kilchhofer

 

 

Panamarenko, Japanese Flying Pak 3, 2001, Motor, two leather belts, metal tube, plastic propellers, metal wires, rubber band, elastic wire, Photo: Wim Van Eesbeek, © Panamarenko. Courtesy Galerie Jamar- Antwerp
Panamarenko, Japanese Flying Pak 3, 2001, Motor, two leather belts, metal tube, plastic propellers, metal wires, rubber band, elastic wire, Photo: Wim Van Eesbeek, © Panamarenko. Courtesy Galerie Jamar- Antwerp

 

 

Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge
Exhibition view: L’envol, Maison Rouge-Paris 2018, Photo: Marc Domage, Courtesy Maison Rouge