TRAVELER’S DIARY-Paris V:Musée de la Chasse et de la Nature-Part II

Serena Carone, Deuil pour deuil, 2017. Glazed earthenware, The sculpture is accompanied by a text by Sophie Calle entitled "My dead" and surrounded by taxidermied  animals from her Private Collection© Musée de la Chasse et de la Nature, Serena Carone / ADAGP, Photo: Béatrice HatalaAnother exhibition that stands out not only for the artworks but also for its excellent curating is the “Beau Doublém Monsier Le Marquis!-Sophie Calle et son invitie Serena Carone” at the Musée de la Chasse et de la Nature. The way in which the artists worked on the subject of the Museum is unique, because they created artworks that appear to have existed before and others to be exhibits-parts of the Museum’s Collection (Part I).

By Efi Michalarou
Photo: Musée de la Chasse et de la Nature Archive

The concept of the exhibition is nature, animals and the way we treat them, and the artists face it sometimes with caustic humor and irony and sometimes with absolute sincerity and sensitivity. “Beau Doublém Monsier Le Marquis!-Sophie Calle et son invitie Serena Carone” is one of the exhibitions that everyone in the city should visit, because it touches each of our chords and put one’s finger on  the human atrocities in the name of profit and narcissism. However, the artists works, in a Museum with terrific-emblematic and imposing exhibits, incorporate the notion of dialogue and coexistence without the one side to overlap or swallow the other. Sometimes is very difficult to separate the artwork from the exhibit, and sometimes the exhibit itself feels like to be a contemporary artwork. The viewer is exploring the museum spaces, that call to mind a bygone era mansion with its own unique atmosphere, one by one, and is called to discover in every corner, drawer, showcase, armchair or fireplace, a hidden secret, since Sophie Calle  and Serena Carone consciously create “a visual game” that joins the 3 floors and the halls with an invisible tread, in which messages are gradually unfolding and the secrets are revealed step by step (!!!).

Info: Curator: Sonia Voss, Musée de la Chasse et de la Nature, 62 Rue des Archives, Paris, Duration: 10/10/17-11/2/18, Days & Hours: Tue & Thu-Sun 11:00-18:00, Wed 11:00-21:30, www.chassenature.org

Sophie Calle, Dommages collatéraux. Coeur de cible,1990-2003, © Sophie Calle / ADAGP, Paris 2017, Courtesy Perrotin Offender profiles, used as targets for the training of policemen from the police station of Town M. in United States
Sophie Calle, Dommages collatéraux. Coeur de cible,1990-2003, © Sophie Calle / ADAGP, Paris 2017, Courtesy Perrotin
Offender profiles, used as targets for the training of policemen from the police station of Town M. in United States

 

 

Serena Carone, Tête de porc, © ADAGP
Serena Carone, Tête de porc, © ADAGP

 

 

Sophie Calle, Silent Heart Attack, 2017, Color photography, text, wooden frames, Text : 50 x 50 cm Photo : 76,5 x 76,5 cm, © Sophie Calle / ADAGP, Paris, 2017, Courtesy Perrotin When my father got sick, I got sick. I had shingles and myocardial infarction. As if I wanted to force the doctor to take one last time to care for his daughter, or to accompany him in the ordeal, to marry his illness, while concealing me, thanks to this unstoppable excuse, to the heartbreaking vision of this father now diminished. Let's summarize. Zona: relaxation immune defenses. Infarctus : death of a part of the heart. Unlike the so-called painful infarction, mine was silent. I was threatened with dumbness by the imminent loss of that look that had guided my life.
Sophie Calle, Silent Heart Attack, 2017, Color photography, text, wooden frames, Text : 50 x 50 cm Photo : 76,5 x 76,5 cm, © Sophie Calle / ADAGP, Paris, 2017, Courtesy Perrotin
When my father got sick, I got sick. I had shingles and myocardial infarction. As if I wanted to force the doctor to take one last time to care for his daughter, or to accompany him in the ordeal, to marry his illness, while concealing me, thanks to this unstoppable excuse, to the heartbreaking vision of this father now diminished. Let’s summarize. Zona: relaxation immune defenses. Infarctus : death of a part of the heart. Unlike the so-called painful infarction,mine was silent. I was threatened with dumbness by the imminent loss of that look that had guided my life.

 

 

Serena Carone, Vierge de la patience, 1997, Wood pulp, various materials, © Musée de la Chasse et de la Nature - Serena Carone / ADAGP, Photo: Béatrice Hatala
Serena Carone, Vierge de la patience, 1997, Wood pulp, various materials, © Musée de la Chasse et de la Nature – Serena Carone / ADAGP, Photo: Béatrice Hatala

 

 

Serena Carone, Tête de veau, © ADAGP
Serena Carone, Tête de veau, © ADAGP

 

 

Sophie Calle, from the series: Histoires vraies, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP, Photo: Béatrice Hatala
Sophie Calle, from the series: Histoires vraies, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP, Photo: Béatrice Hatala

 

 

Sophie Calle, L’ours, diptych (Left Side), 2017, © Sophie Calle / ADAGP
Sophie Calle, L’ours, diptych (Left Side), 2017, © Sophie Calle / ADAGP

 

 

Sophie Calle, L’ours, diptych (Right Side), 2017, © Sophie Calle / ADAGP
Sophie Calle, L’ours, diptych (Right Side), 2017, © Sophie Calle / ADAGP

 

 

Sophie Calle, Souris, 2017, © Sophie Calle / ADAGP, Paris 2017, Courtesy Perrotin Fabio kissed him. Camille whispered in her ear, She Was. Florence caressed him. Anne has put him to sleep. He is dead. Maurice dug a hole in the garden. I installed Mouse in a small white wooden casket that served as a model for sales representatives before the use of photography. Too small. His hind legs protruded. Yves buried him. Serena planted daffodils around the grave. I received a message on my phone: Sophie, I'm sorry for your cat. Can you tell Camille to bring back vegetables such as leeks and turnips if she finds any? I kiss you.
Sophie Calle, Souris, 2017, © Sophie Calle / ADAGP, Paris 2017, Courtesy Perrotin
Fabio kissed him. Camille whispered in her ear, She Was. Florence caressed him. Anne has put him to sleep. He is dead. Maurice dug a hole in the garden. I installed Mouse in a small white wooden casket that served as a model for sales representatives before the use of photography. Too small. His hind legs protruded. Yves buried him. Serena planted daffodils around the grave. I received a message on my phone: Sophie, I’m sorry for your cat. Can you tell Camille to bring back vegetables such as leeks and turnips if she finds any? I kiss you.

 

 

Sophie Calle, Dommages collatéraux. Coeur de cible, 1990-2003, 10 color photographs, sandblasted glass, 79,5 x 50,5 cm, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP, Photo: Béatrice Hatala Offender profiles, used as targets for the training of policemen from the police station of Town M. in United States
Sophie Calle, Dommages collatéraux. Coeur de cible, 1990-2003, 10 color photographs, sandblasted glass, 79,5 x 50,5 cm, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP, Photo: Béatrice Hatala
Offender profiles, used as targets for the training of policemen from the police station of Town M. in United States

 

 

Serena Carone, Peaux de saumon (Detail), © ADAGP
Serena Carone, Peaux de saumon (Detail), © ADAGP

 

 

Sophie Calle, Fathers series, 2017, © Sophie Calle / ADAGP
Sophie Calle, Fathers series, 2017, © Sophie Calle / ADAGP

 

 

Serena Carone, Cent chauves-souris, 2012, © Musée de la Chasse et de la Nature - Serena Carone / ADAGP – Photo: Béatrice Hatala
Serena Carone, Cent chauves-souris, 2012, © Musée de la Chasse et de la Nature – Serena Carone / ADAGP – Photo: Béatrice Hatala

 

 

Serena Carone, Ours (Detail), © ADAGP
Serena Carone, Ours (Detail), © ADAGP

 

 

Serena Carone, Deuil pour deuil, 2017. Glazed earthenware, The sculpture is accompanied by a text by Sophie Calle entitled "My dead" and surrounded by taxidermied  animals from her Private Collection© Musée de la Chasse et de la Nature, Serena Carone / ADAGP, Photo: Béatrice Hatala
Serena Carone, Deuil pour deuil (Detail), 2017. Glazed earthenware, The sculpture is accompanied by a text by Sophie Calle entitled “My dead” and surrounded by taxidermied animals from her Private Collection© Musée de la Chasse et de la Nature, Serena Carone / ADAGP, Photo: Béatrice Hatala

 

 

Sophie Calle, from the series: Histoires varies., © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP, Photo : Béatrice Hatala
Sophie Calle, from the series: Histoires varies., © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP, Photo: Béatrice Hatala

 

 

Sophie Calle, Liberté surveillée (sélection), 2014, 47 B&W photographs 18.7 x 24.7 and video, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP – Photo: Béatrice Hatala Access was built above and below the highways to allow animals to cross. Automatic trigger cameras control their migration.
Sophie Calle, Liberté surveillée (sélection), 2014, 47 B&W photographs 18.7 x 24.7 and video, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP – Photo: Béatrice Hatala
Access was built above and below the highways to allow animals to cross. Automatic trigger cameras control their migration.

 

 

Sophie Calle, Liberté surveillée (sélection), 2014, 47 B&W photographs 18.7 x 24.7 and video, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP – Photo: Béatrice Hatala Access was built above and below the highways to allow animals to cross. Automatic trigger cameras control their migration.
Sophie Calle, Liberté surveillée (sélection), 2014, 47 B&W photographs 18.7 x 24.7 and video, © Musée de la Chasse et de la Nature – Sophie Calle / ADAGP – Photo: Béatrice Hatala
Access was built above and below the highways to allow animals to cross. Automatic trigger cameras control their migration.

 

 

Serena Carone, Mon amie, 2016, Glazed earthenware, © Musée de la Chasse et de la Nature - Serena Carone / ADAGP – Photo: Béatrice Hatala
Serena Carone, Mon amie, 2016, Glazed earthenware, © Musée de la Chasse et de la Nature – Serena Carone / ADAGP – Photo: Béatrice Hatala

 

 

Serena Carone, Lapin chasseur, © Musée de la Chasse et de la Nature - Serena Carone / ADAGP – Photo: Béatrice Hatala
Serena Carone, Lapin chasseur, © Musée de la Chasse et de la Nature – Serena Carone / ADAGP – Photo: Béatrice Hatala