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ART, Page 11

Wu Xiaojun, The Incomplete Beginning: Notes on 2025, Exhibition view, Magician Space-Breijing, 2025, Courtesy the artist and Magician Space

ART CITIES: Beijing-Wu Xiaojun

Wu Xiaojun was an important figure in the conceptual photography movement in the 1990s, when he created clay figures staged them in …

Installation view of Ryoji Ikeda&’s solo exhibition “data-cosm [nº1”, on view at 180 The Strand, London, UK from 15/10/2025 to 1/2/2026, Photo: 180 Studios

ART CITIES: London-Ryoji Ikeda

Japan’s leading composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light …

Matthew Barney, Redoubt, 2018. © Matthew Barney. Courtesy the artist; Gladstone, New York, Brussels, and Seoul; and Sadie Coles HQ, London. Photo: Hugo Glendinning

PRESENTATION: Matthew Barney-Redoubt

Matthew Barney is renowned for provocative explorations of the body and ritual across sculpture, installation, film, performance, and drawing. Since the early …

Hun-Chung Lee, Jar, 2025, Glazed ceramic, 21 ¼ x 12 in, 51 x 54 cm, Photo: Jeon Byung-cheol, © Hun-Chung Lee, Courtesy the artist and Gladstone Gallery

ART CITIES: Seoul-Irreverent Forms

The exhibition “Irreverent Forms”  brings together Korean artists across three generations who defy the tradition of ceramics: Through clay—the most elemental artistic …

Mohammed Kazem, Directions (Merging),2022, © Mohammed Kazem, Courtesy the artist and Seoul Museum of Art (SeMA)

PRESENTATION: Proximities

The group exhibition “Proximities” features more than forty UAE-based artists, including 33 Emiratis, across three generations—a Gulf nation shaped by the convergences …

Tom Wesselmann, Study for Mouth #10, 1966, Liquitex on gesso panel, two sections, 7 x 6 5/8 inches (17.8 x 16.8 cm), © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York, Photo: Maris Hutchinson, Courtesy Gagosian

PRESENTATION: The Omnipotence of Dreams

The exhibition “The Omnipotence of Dreams”, boldly pairs fine art with artist-designed jewelry. This curatorial experiment highlights the disciplinary crossover between adornment …

ART NEWS: Dec 02

  “No Limits” marks Ranbir Sidhu’s first museum exhibition. Drawing on his intimate knowledge of metal manufacturing, his sculptures and installations are intricately …

Left: Joseph Cornell, A Dressing Room for Gille, 1939, Glazed wooden box, wood panel cover, paint, mirror, cork, printed paper collage, cotton thread, textiles, ribbon tape, 15 x 8 5/8 x 6 3/4 inches (38.1 x 21.9 x 17 cm), Richard L. Feigen Collection, © 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York, Photo: Owen Conway, Courtesy Gagosian Right: Joseph Cornell, Pharmacy, 1943, Glass-paned wood cabinet, marbled paper, mirror, glass shelves, and twenty glass bottles containing various paper cuttings (crêpe, tissue, printed engravings, and maps), colored sand, pigment, colored aluminum foil, feathers, paper butterfly wing, dried leaf, glass marble, fibers, driftwood, wood marbles, glass rods, beads, seashells, crystals, stone, wood shavings, sawdust, sulfate, copper, wire, fruit pits, paint, water, and cork, 15 1/4 x 12 x 3 1/8 inches (38.7 x 30.5 x 7.9 cm), © 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York, Photo: Dominique Uldry, Courtesy Gagosian

ART CITIES: Paris-Joseph Cornell

From a New York basement, Joseph Cornell transformed everyday finds into some of the 20th century’s most poetic artworks. Rarely travelling, he …

Zao Wou-Ki, Untitled from À la gloire de l'image et art poétique (To the Glory of the Image and the Art of Poetry), 1977, lithograph, M+, Hong Kong. Gift of Françoise Marquet-Zao, 2024, Zao Wou-Ki © ProLitteris, Zurich, 2025, Image courtesy of M+, Hong Kong

PRESENTATION: Zao Wou Ki-Master Printmaker

Zao Wou-Ki was a leading twentieth-century abstract painter who fused Chinese artistic traditions with Western modernism. Trained in Hangzhou under progressive masters, …

Ellie Murphy, Yellow Fleece Square, 2025, Macrame and non-woven fiber, 24 × 18 × 4 in | 61 × 45.7 × 10.2 cm, © Ellie Murphy, Courtesy the artist and McKenzie Fine Art

ART CITIES: N.York-Material Witness

The  Group exhibition “Material Witness” explores each artist’s deep investigation of a particular medium. The paintings, sculptures, textiles, graphic and multi-media works …