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TRIBUTE, Page 8

Donald Judd. Untitled. 1973. Brass and blue Plexiglas, 83.8 × 172.7 × 121.9 cm. Solomon R. Guggenheim Museum, New York, Panza Collection, 1991 © 2020 Judd Foundation / Artists Rights Society (ARS), New York

ART-TRIBUTE:Donald Judd-Judd

Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative, and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate “real space”. To Judd, his works, which he called “specific …

Monira Al Qadiri, Spectrum 1, 2016, 3D printed plastic, 20 x 20 x 20 cm (each, six in total), Courtesy of the artist

ART-TRIBUTE:Our World Is Burning

The exhibition “Our World Is Burning” offers a committed view of contemporary creation from the Arabian Gulf, where wars and diplomatic tensions …

Work from the exhibition: Japan Supernatura, Art Gallery of New South Wales- Sydney, 2019, Courtesy Art Gallery of New South Wales

ART-TRIBUTE:Japan Supernatural,Part II

Japanese artists across the centuries have created a lively parade of magical animals, fiendish imps, legendary monsters and ethereal spirits. Known in …

Takashi Murakami, Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters, 2019, Art Gallery of New South Wales, Foundation Purchase 2019, ©︎ 2019 Takashi Murakami/Kaikai Kiki Co. Ltd. All Rights Reserved. Courtesy Kaikai Kiki

ART-TRIBUTE:Japan Supernatural

Japanese artists across the centuries have created a lively parade of magical animals, fiendish imps, legendary monsters and ethereal spirits. Known in …

Grégoire Beil, National Narrative, 2018, vidéo, 63’, Courtesy of the artist

ART-TRIBUTE:Future, Former, Fugitive

The exhibition “Future, Former, Fugitive. A French scene” is based on an open conception of territorial placement – bringing together artists born …

ART-TRIBUTE:Paradise Palace

Zhizha is a traditional craftsmanship originated from ancient China. Zhizha is known to be mainly used in the creation of offerings in …

Takis, Magnetic Wall 9 (Red), 1961, Acrylic paint on canvas, magnets, metal, cloth, nylon thread, 180 × 220 × 10 cm, Centre Pompidou, Musée national d’art moderne – Centre de création industrielle-Paris, © ADAGP, Paris and DACS, London 2019, Photo: Georges Meguerditchian

ART-TRIBUTE:Takis

Over a 70-year career, Takis (Panayiotis Vassilakis) has created some of the most innovative art of the 20th Century. A sculptor of …

Barbara Kruger, Installation view STEDELIJK BASE, Collection Stedelijk Museum Amsterdam, c/o Pictoright Amsterdam, Photo: Gert Jan van Rooij

ART-TRIBUTE:Stedelijk Base-Part II

One of the largest installations of the Stedelijk Museum Amsterdam Collections, in its history, is Stedelijk Base. The presentation of the art …

David Wojnarowicz, Untitled (Green Head), 1982, Acrylic paint on mansonite, 121.9 x 243.8 cm, Bromm & Doneley Meris Collectin, © Estete of David Wojnarowicz P.P.O.W.-New York

ART-TRIBUTE:David Wojnarowicz

Beginning in the late 1970s, David Wojnarowicz created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. …

Roy Lichtenstein, As I Opened Fire, 1964. © Estate of Roy Lichtenstein, c/o Pictoright Amsterdam. Collection Stedelijk Museum Amsterdam

ART-TRIBUTE:Stedelijk Base-Part I

One of the largest installations of the Stedelijk Museum Amsterdam Collections, in its history, is Stedelijk Base. The presentation of the art …