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PRESENTATION, Page 95

Exhibition View, Nazgol Ansarinia, Fragments-Particles and the Mechanisms of Growth at KIOSK, 2017, Photo: Tom Callemin, Courtesy KIOSK

ART-PRESENTATION: Nazgol Ansarinia

Nazgol Ansarinia examines the systems and networks that underwrite her daily life. Born and raised in Tehran, she dissects, interrogates and recasts …

Kiki Smith, Receive, 2016, Blackened bronze, 32.4×61×30.5 cm, Ed. 1/6 + 1 AP, Courtesy the artist and Galleria Raffaella Cortese-Milano

ART-PREVIEW:Kiki Smith-Quest

Kiki Smith’s work resists both modern and classical notions of beauty, trading in the easily fetishized exterior of the body for the …

Ed Atkins, Old Food (Production Still), 2017, © Ed Atkins, Courtesy the artist, Galerie Isabella Bortolozzi-Berlin, Cabinet Gallery-London, Gavin Brown's Enterprise-New York and dependence-Brussels, Martin-Gropius-Bau Archive

ART-PRESENTATION:Ed Atkins-Old Food

Ed Atkins’ computer-generated films feature shabby, lonely protagonists with disarming and marked fidelity. His animations demonstrate their digital constitution, their near-total artifice, …

Gary Hume, Spent, 2016, Enamel paint on aluminum, 98 x 135 cm, Matthew Marks Gallery Archive

ART-PRESENTATION: Gary Hume-Mum

After Gary Hume graduated from Goldsmith’s College, London in 1988, he received critical acclaim for his hard-edged, abstract “Door” paintings. Since then …

Laura Owens, Untitled, 2004, Acrylic and oil on linen, 167.6 x 167.6 cm. Collection of Nina Moore, © Laura Owens

ART-PRESENTATION: Laura Owens

For more than twenty years, Laura Owens has pioneered an innovative approach to painting that has made her one of the most …

Gilberto Zorio, Canoa aggettante (Jutting Canoe), 2016 , Canoe, Pyrex cruet, steel, compressor, hiss, air breath, alcohol, phosphorus, timer, 323 x 355 x 552 cm, Courtesy Galleria de'Foscherari-Bologna, Photo: Paolo Panzera

ART-PRESENTATION: Gilberto Zorio

Gilberto Zorio is associated with the Arte Povera generation, which originated in Italy during the mid-60s. Utilising non-traditional and unconventional materials, Zorio …

Françoise Grossen, Mermaid I, 1978, Polyester rope, metal, 16 x 96 x 96 inches, Photo: Genevieve Hanson, Courtesy of the artist and Blum & Poe - Los Angeles/New York/Tokyo

ART-PRESENTATION: Françoise Grossen

In the ‘60s, Françoise Grossen rejected the rectilinear loom that constrained contemporary weaving for an intuitive approach to fiber that resulted in …