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PRESENTATION, Page 93

Alejandro Otero, Estudio 2 (Study 2), 1952, The Museum of Modern Art, Promised gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Rafael Santana, © Alejandro Otero-Mercedes Pardo Foundation

ART-PRESENTATION: Concrete Matters, Part I

The term “Concrete Art” was coined in 1930 by Theo van Doesburg when he started the group Art Concrete in Paris. They were looking for a new formal idiom that was unfettered by figurative or abstract motifs. Instead, they aspired to create an autonomous reality using plane geometric shapes that …

Kimsooja, Bottari Truck - Migrateur, 2007, Single Channel Video Projection, silent, 10:00, loop, performed in Paris, Commissioned by Musée D'Art Contemporain du Val-De-Marne (MAC/VAL), Still Photo by Thierry Depagne, Courtesy of Kimsooja Studio

ART-PRESENTATION: Kimsooja-Zone of Nowhere

Kimsooja’s videos and installations blur the boundaries between aesthetics and transcendent experience through their use of repetitive actions, meditative practices, and serial …

Günther Förg, Almine Rech Gallery Archive

ART-PRESENTATION: Günther Förg

Günther Förg was part of the post-war generation of German artists for whom modernism had become tainted with the horrors of Fascism. …

Left: Martin Puryear, Night Watch, 2011, Maple, willow, OSB board, 295 x 310 x 122 cm, Glenstone Museum-Potomac/MD, Photo: Christian David Erroi, © Martin Puryear, Courtesy Matthew Marks Gallery. Right: Martin Puryear, Shackled, 2014, Iron, 70 x 78 x 21.3 cm, Collection of the artist, Photo: Ron Amstutz, © Martin Puryear, Courtesy Matthew Marks Gallery

ART-PRESENTATION: Martin Puryear

Working primarily in wood, Martin Puryear has maintained an unwavering commitment to manual skill and traditional building methods. His sculptures are rich …