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PRESENTATION, Page 27

Rosemarie Trockel, CLUSTER VI – Door Ajar, 2021, Courtesy of Sprüth Magers, © The artist & VG Bild-Kunst, Bonn 2022, photo: Axel Schneider

PRESENTATION: Rosemarie Trockel, Part II

Rosemarie Trockel  is widely regarded as one of the most important and influential conceptual artists in Germany. Her sculptures, collages, ceramics, knitted …

Ali Kazma, Sentimental (Video still), 2022, © Ali Kazma, courtesy the artist and Musée National de Monaco

PRESENTATION: Ali Kazma

Ali Kazma creates sets of short films that are usually between ten and twelve minutes long. In his multi-video formats, Kazma creates …

Helen Pashgian, Untitled, 2021, Cast epoxy with insert on custom artist pedestal, 6 inches (sphere), 15.2 cm. 54.5 x 3 x 3 inches (pedestal), 138.4 x 7.6 x 7.6 cm, 60.5 x 6 x 6 inches (overall), 153.7 x 15.2 x 15.2 cm, © Helen Pashgian, Courtesy the artist and Lehmann Maupin

PREVIEW: Helen Pashgian

An early pioneer of the Light and Space movement, Helen Pashgian has produced numerous sculptural series composed of vibrantly colored columns, discs, …

Ghada Amer, A Woman’s Voice Is Revolution (detail), Mucem, 2022 © Ghada Amer; photo: Mucem/Yves Inchierman

PRESENTATION: Ghada Amer, Part II

While Ghada Amer describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, she …

Rosemarie Trockel, Destroy, She Said, 2022, Courtesy of Sprüth Magers, © The artist & VG Bild-Kunst, Bonn 2022

PRESENTATION: Rosemarie Trockel

Rosemarie Trockel  is widely regarded as one of the most important and influential conceptual artists in Germany. Her sculptures, collages, ceramics, knitted …

Ghada Amer, Sindy In Pink-RFGA, 2015. Acrylic paint and embroidery on canvas. Forman Family Collection, Philadelphia (USA) © Ghada Amer, photo: Christopher Burke Studios

PRESENTATION: Ghada Amer

While Ghada Amer describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, she …

Do Ho Suh, Rubbing/Loving Project:  Seoul Home,  2013–2022, graphite on mulberry paper, aluminium, 534 × 866 × 802.5 cm, © Do Ho Suh, Private Collection

PRESENTATION: Do Ho Suh

Do Ho Suh works transform the familiarity of a domestic space into a liminal one, where ‘home’ is both an idealized concept …

James Beckett, The Sceptical Structures of Max: 08, 2019. Courtesy of the artist and T293 gallery, Rome. Photo: Roberto Apa

PRESENTATION: When Things Are Beings

The exhibition “When Things Are Beings” is part of the project series Proposals for Municipal Art Acquisitions, which is organized biannually with …